Showing posts with label Adorno. Show all posts
Showing posts with label Adorno. Show all posts

Sunday, August 5, 2012

Festival report: New Noise 2012


As you have figured out by now, most of these reviews were written way before they got to be posted, so the dates might not match with certain show times. This here, for instance, will be a review of the “New Noise” festival which I’m writing in the train that is rushing through Hungary to get to the Czech Republic. Yes, I am again going to visit “Fluff Fest”, though this review will probably end up being posted quite some time after the said festival. I’m spending a lot of time with my girlfriend and my writing and internet time is rather scarce, so that is why the posts are so late and mixed up. All in all, this is a really epic summer trip and the number of shows I need to write about is constantly increasing. I just want to take this opportunity to say how sorry I am to all the bands that have sent me their material and everyone who is waiting to be hosted on “Natures With No Plagues”. Thank you for both the interest and the patience, I will surely dedicate my time and words to all of you. But until then, it’s time to drop by to Karlsruhe!

Here we are with yet another European music festival with a lot of tradition behind it, spanning for seven years now. Although it has a rather long life span, I have to admit that this is the first time I hear about the event. Got to say that I was really impressed by the lineup and the overall idea of the entire happening. "New Noise" took place at Ostauepark, located in the eastern section of Karlsruhe, on 7 July 2012. My woman and me were nested in a youth hostel, located a good half an hour walk from the fest, so we grabbed a chance to get to know the city a bit. Karlsruhe definitely seems like a wonderful place to live, especially thanks to that one enormous park-botanical garden located in the center. Reaching the festival was rather easy due to the signs posted by the organizers, which really made things go smooth at a certain point. "New Noise" itself consisted of two big tents where stages were set up, numerous distros and food and drink stands circling around the entire perimeter. There was also a sitting area with benches, located in the center of everything, and also a rather big grass field for laying around. Overall, it seemed really cozy and there was always room for everyone everywhere, so big thumbs up for the organizers of the event.

The timetable for this awesome day looked like this:
First Tent
13:00-13:25 The Tidal Sleep
13:40-14:05 Nine Eleven
14:20-14:45 Tempest
15:00-15:25 Run With The Hunted
15:40-16:05 Aussitot Mort
16:20-16:45 Code Orange Kids
17:00-17:30 Sailing On
17:45-18:15 Midnight Souls
18:30-19:00 Loma Prieta
19:15-19:45 Adorno
20:00-20:30 No Turning Back
20:45-21:15 Defeater
21:45-23:00 Church of Ra Showcase

Second Tent
13:25-13:50 Unveil
14:05-14:30 June Paik
14:45-15:10 Titan
15:25-15:50 Man Vs. Humanity
16:05-16:30 Vestiges
16:45-17:10 Downfall of Gaia
17:30-18:00 Birds In Row
18:15-18:45 Former Thieves
19:00-19:30 Anchor
19:45-20:15 Brutality Will Prevail
20:30-21:00 Graf Orlock
21:15-21:45 Celeste
23:00-23:30 Raein

First band in line which we managed to see was none other than “June Paik”. I barely managed to brace myself after their previous performance and here they were again, ready to devastate me once more. To make things even crazier, their sound was far better here than on "Cry Me A River", so you can just imagine how powerful their set was this time. Their scheduled playtime was much shorter than on the previous fest however, but the strength of the impact hit they made on the audience was not crippled by time in the slightest. "I" was played again and it is wondrous what the band manages to do with that song. A true work of art, especially when created live, just a perfect composition leaving you breathless and in a very specific mood. And I will leave it at this in hopes that I don't end up sounding like a fan boy, especially after my previous review of their gig on "Cry Me A River".
The first band I watched had a little bit of a delay due to some issues regarding setting up, so I was kinda late to see the full set of “Tempest”. Of course, what I did witness was enough to show how many asses the band can kick. Attending their show for the third time now and the band keeps showing that it is always so pumped with amazing vibes and energy, so much passion and creativity. I came just on time to hear  my favorite song again, "Death Rattle", and it was absolutely enough for me. We stuck around for another number and then it was time to raid the distros. As I said before, keep an eye out for "Tempest" and try to attend a show, you'll leave with your jaw on the floor.
It was time for “Run With The Hunted”, so we were forced to somehow make our hands unglued from the awesome records present at the festival. Seriously, if my wallet was big enough I would probably spend the entire day just swimming in a sea of vinyl. Anyway, the hardcore outfit from Phoenix, Arizona delivered a really fast punch with their set. A very lively performance with excellent sound, the band quickly managed to intrigue and move the audience. I was present for only two songs on their gig, so my impressions are rather limited, but from the start they showed that they will give all they've got and that it's bound to be a fun ride. I also failed to see them on "Fluff Fest", but as much as I saw people were walking away after their gigs quite happy.
After failing to see “Aussitot Mort” when they were touring Europe with "Heaven In Her Arms", cursed be my life, I finally had the privilege to do so. The French quartet opened with "La Ride Du Lion", the first song off of their newest outlet, and those very first tones instantly blew me away. The power and intensity of their recordings were perfectly transferred to the audience live in concert and even increased beyond anything I previously imagined. With the help of the "venue" and its excellent sound, "Aussitot Mort" managed to create an amazing atmosphere and connection with the crowd, making their set really intriguing for watching and listening. They showed how and why they are one of the most important bands in that astounding post rock rock screamo crossover and that they are a project you definitely need in your book. Sadly, due to the timetables being a little messed up, I was only on a tiny bit of their performance and it was already time for another band to be grabbed.
Rushing to the second stage and grabbing a perfect first row place for “Vestiges”. Thus far, I think my readers have a great understanding of my thoughts about the band and how much attention this blog showed for the whole project. From the initial moment I heard their music and up to this point in time, my love for their work has been rapidly growing and I was happy beyond reason when I realized that I will see them live this summer. The time finally came and the band naturally opened their set in the same fashion as their record begins. My excitement was at a boiling point, but once "I" exploded their set proved to be really crippled due to insanely stubborn problems with the singer's microphone. Despite screaming and growling from the top of his lungs, Alex just couldn't be heard at all. It was really unpleasant standing there and seeing the man give his best, but get sabotaged by the equipment. I just have to give a negative shout out to the organizers for this, since they made a really tight schedule, basically forcing the bands to play, without making sure that everything technical is okay. Instead of providing stupid, worthless red lights during the day on the stage, a little more attention and care should have been paid to whether or not the equipment is working, since "Vestiges" are not the only band that had issues. Needless to say, the band managed to provide an astounding show despite the difficulties they faced, especially the singer who didn't stop for a single second, just proving that they are a true force to be reckoned with. Their music was exceedingly powerful live, giving absolute justification to their recordings and the entire concept of the project. "V" was also played and it was such a breathtaking, passionate finisher of their set, since seeing one of their guitar players putting a maximum of his heart and soul into the performance was quite a sight. I will stop here with my thoughts, since you'll be reading more about them in an upcoming review of their show with "Downfall of Gaia" in Nijmegen, the Netherlands, so stay tuned!
Once the quintet from the States ended their act, it was time for “Downfall of Gaia”. In case you follow my blog for a longer period of time then you are aware that I did a little bit of travelling with this band last year. So not only is my love for their music strong and endless, but I also consider them really good friends and it was utmost pleasure to see them again. As expected, they managed to knock me off my feet in a second. For a while now it has been known that the band is recording new material for an upcoming double LP, so this was a grand occasion to hear some of their new songs. If memory serves me well, two new songs have been performed and they left me speechless. Ever since the band formed, "Downfall of Gaia" has been in a constant cycle of evolution and their newborn is not without such a merit. Further expanding their music and putting an even higher accent on black metal and those gloomy atmospheric sections, the band hinted what they have been creating for us behind closed doors. Everything that was remarkable about "Epos" has been kind of upgraded and put on a new level with their new material, which definitely made me even more thrilled about hearing the entire album. Aside of those songs, "These Wet Feathers..." was also played, which is one of my personal favorites. Overall, an amazing performance and a wonderful preview of what is yet to come from this project. 
Short break and then coming back to the same tent to view “Birds In Row”. To be honest I haven't listened to them in a long time, the pinnacle of my attention for them being drawn way before the band got signed to "Deathwish Inc.", after which I almost forgot about them. Either way, the band swiftly brought back the memory of why I liked them in the first place. Their songs were always impacting and strong, but I never imagined the band sounding as powerful as it did live. Completely exceeded my expectations. "Among the Ashes" and "Colossus" were enough to set everyone who was present into the right mood, although the band kept beating their instruments without remorse. Definitely a wild and entertaining performance.
Loma Prieta”, strike three. Much like "June Paik", they had far better sound quality on "New Noise" than on the previous festival and it resulted in a really intriguing performance. Continuously energetic and fierce, the San Francisco four-piece dropped a chaos bomb into the venue yet again. In contrast to their past gigs that I attended, vocals had a really high volume and it was both a surprise and a pleasure to hear them under the spotlight. The crowd was also quite responsive to their tunes with dancing and even some stage diving. Their performance went wild and boiling until the last song, that being "Trilogy 6 "Forgetting"", when Michele from "Raein" sat behind the drum kit while Val was picked up by the audience along with other parts of the set and so he played like that in mid air. Definitely a really epic and crazy finisher which no one could expect!
Once the chaos from the previous band went silent, it was time for “Adorno” to take the stage. This would be my second time watching them live, since previously I saw them way back in 2010, an experience about which you can read here. As much as the previous show made me smile and enjoy, so did this one leave a purely positive impression on me. Their melodies have an uncanny ability to instantly put a smile on your face and just wash you over with so much nice energy. Songs from "Said And Unsaid" were played, as well as from their split with "The Black Heart Rebellion", making their setlist a really amazing one. The band also kept their friendly ways of talking to the audience, so overall this looked more like a house show than a festival gig, which is a huge plus in my head. Extremely happy I got to see them live again and I am definitely hoping that they will have more activity in the future.
Okay, this is where things get downright serious. Thus far this review was really easy to write down, but now I'm sitting here with absolutely no knowledge where to start. “Celeste”, the well known four-piece from France, has a special place in my heart. They bear members from "Mihai Edrisch", a band which I love inexplicably and hold dear beyond this world, and that alone was always enough for me to  be infatuated with them. Their music is, without a doubt, a story for itself. Numerous times I found myself trying to somehow properly categorize their sound in a specific genre and always failed. The unstoppable and devastating impulse going under the name of "Celeste" has been a thing so unique that it can't be placed or tamed into a tag. But without further ado, let me get back to writing about the show. Darkness fell into the tent and only four red dim lights were hovering on stage, illuminating from tiny lamps placed on the heads of the band members. Smoke crawled around the stage and the audience, mystifying the setting for what is yet to come. And when the beast came, it couldn't be tamed until it was killed by lack of time. I won't even say which songs were played, because their set was simply an unstoppable, violent behemoth with only second long breaks for a single breath. I have never in my life witnessed four people creating such a destructive wall of sound, so powerful that I thought the ground will break under our feet. Everything seemed to crash down onto the audience, the crowd also deciding to give its violent outburst in response to the band's apocalyptic rhythms. I was simply stunned beyond words. All I can say is that this is absolutely one of the best shows I attended this year. The repertoire of bands I saw in 2012 seemed like it will be hard to pick out my favorites, but "Celeste" made their place as number one without a doubt. I am sure they won't be taken down from the throne in the upcoming months, this is something that you experience once in a lifetime. My entire experience was definitely sealed and made complete with talking and shaking hands with Johan, singer of both "Celeste" and "Mihai Edrisch" and a man I consider truly as a one of a kind artist. I will stop my review of their set here and just say that if you can go to their show, just go. If you haven't heard about them, take a listen and stop missing out.
Church Of Ra” was the name that closed the day for me. The act with the longest scheduled playtime, a band consisted of members from "AmenRa", "Oathbreaker", "Hessian" and "Syndrome", picked as something that can bring an epic ending to this year's "New Noise" festival. I am probably playing with fire here, but I have to keep my honesty on a high level and just say that I was sincerely bored. Maybe it was due to the fact that there was and is so much talk and hype about this collective that I pumped up my expectations to high. The band members on stage kept switching during the set and each time that would happen I was hoping for something intriguing to happen, but it never did. At times all members would be on stage, I can't really recall was it eight or nine of them, and they would play at the same time which would create a truly massive sound. Even that failed to actually impress me. My personal opinion is that any band making that much noise after "Celeste" is doing just that, making noise. Definitely a lot of factors played their part so that I ended up not liking the band, though I absolutely saw that they had a massive crowd, so I am probably just a drop bouncing off from the ocean. To each his own, though I do feel real regret that my sacrifice of seeing "Raein" in the other tent was in vain. Pity.
As you can see, this has been a fantastic day. Lots of amazing bands, great distros and a really interesting place to hold a festival. Like I already mentioned, my only complaint goes out to issues regarding equipment, since that managed to mess up the timetable a fair bit. Otherwise, "New Noise" proved to be a really intriguing festival and I hope that its tradition will be kept alive in many years to come. Special praise goes to my girlfriend, who managed to keep up the game with me despite me being really dumb at times. That's love for you!

Saturday, July 31, 2010

Adorno & Eric Ayotte - Split 7'' (2010)


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I guess it just comes natural that after such a show I upload this record. And of course, no need to write now, the writing of the review below really took it out of me. Besides, I think it should convince anyone to at least try and listen, this is really a work of art.

Friday, July 30, 2010

Gig review: Adorno, Eric Ayotte

Usually when a show you went to was good you tend to realize that fact on your way home, talking to friends you were with and saying "yeah, it was an excellent show". I believe it's because in the moments when the music hits your ears and when your eyes feast on the stage, you overtly forget the fact that you will have an opinion about it later and you just enjoy the moment. But yesterday's experience was 180 degrees different. Maybe because I'm in a sensitive time on a personal level or because I generally like to think about the music I indulge in. Maybe. But then you think about it a bit more carefully and come to a conclusion that it's not you, that you could have been in the worst or the best mood, it matters not, for you have witnessed artists who detonated an emotionally charged bomb in front of you and you had nowhere to run. Then again, why would you?
The lines above probably made zero sense, since last night I was again introduced to the meaning of words "stunned" and "speechless". Until I get a grip on myself and get into the proper writing mood let's just take it the old fashioned way. The show was held yesterday evening (now actually the day before yesterday), 29th of July 2010 to be exact, in a venue named "REX" in Belgrade. Although the venue is in my hometown I never actually visited "REX" before and I have to say that I was quite impressed. It's quite a small place, but designed and decorated perfectly, reminding me a bit of the Student Cultural Center (SKC) in Belgrade. To make it even better, the room where the actual gig took place has excellent level of acoustic and the sound doesn't get splashed and deflected around, giving you superb sound quality during the show. The show was set to start in 9 pm and with a slight but tolerable delay of about half an hour it started around 9:30 pm.
As my friend and myself entered the venue I was kinda bummed at the extremely low number of people who attended, somewhere around 20 or so. "Adorno" and Eric were probably satisfied with even those low numbers, but it still justifies the fact that this type of music is not really common in my country. That, plus the retarded thing that a lot of people I know just don't like going to shows, they'd much rather listen to music at home. Whatever the reason it's a completely different subject, so I won't stray in that direction.
"Adorno" opened explosively and the first thing you notice is that instead of two, they played with three guitars. I haven't seen them live before, so I don't know how different it is compared to having just two guitar players, but this kind of band composition really adds something more. Even the gentlest songs from the "Said and Unsaid" release sound much more expanded, powerful and creatively layered. The most amazing thing is that despite the creative chaos bursting all around you, you still fully get to feel that specific, amazing vocal type, a literally soothing sound. If I remember correctly, all songs from "Said and Unsaid" were played, songs in which I'm very much in love with, so I got my share of singing along. During the early moments of the show, Joao (one of the guitar players) talked about how happy he is to be able to play with his friends and that in fact this show was their 100th gig. Heh, that really made me both happy that they celebrate it here with us and sad since they really deserve more people to hear their music. But there is also next time to correct past mistakes, right? At least the crowd was alive, not much dancing, but quite a lot of cheering and clapping.
As the show progressed "Adorno" played some of their older tunes with a bit of a heavier sound at moments sounding a bit post-rockish. This is where the 3 guitar combination really excelled. The sound radiating from the speakers was just gigantic and explosive, a behemoth literally crashing down and swallowing you without remorse. I stood there in the front row for those blissful half an hour or so and was quite shocked and stunned with what they threw at us, such emotionally infused music which I really had no idea I would experience at this level of amusement. I have to admit though, I am bad when it comes to knowledge of their older songs, especially the last song they played. I think (but I'm not so sure) that the last song was "Fetishized Facts" and the amount of pure epic proportions was unimaginable. The end was particularly impressive, when one by one they left the stage while the rest continued to play, the guitar players even leaving their instruments face-down on the ground which gave way to some unique sounds. I don't know what else to say about Adorno's part of the show other than that it was amazing beyond my thoughts.
After a little break and a visit to the merch section (yay for my new "Adorno" T), Eric Ayotte took the stage. Ok so, as the story goes on the interwebz, he is (and I quote) "the nicest man alive". And the only thing I'm gonna say to that "yes he is". Period. If the scientist of this world could improve the cloning program so that a mass production of this man could ensue and every household has one to have him sing and talk you to sleep I think that then the world would be a much better place. I have never heard such beautiful music, accompanied with an amazing humor enhanced talks with the audience, as well as meanings of the songs he plays...so amazing. The amount of smiles on my face during those thirty plus minutes surpassed all my good mood I amassed for the past few days before the show. Eric really managed to create a friendly and warm atmosphere, basically you have the feeling that he is playing in your living room instead of a club. My heart was quite full when my favorite song was played, namely "Bear You Are", but during the show I think I discovered a new music love in the form of the song "Fallujah". I heard the song before, but while it was played I was absolutely stunned by the amount of passion it radiated and during the song you really feel how the lyrics are sad and heavy. At the end, the crowd didn't let Eric go so easily, so we got a bonus song.
After the show I walked away with my friend and even before it was mentioned in the upcoming conversation I realized that I already knew what to say and how my opinion on the show looked like. It was probably the first time in my life that a show review was literally writing itself in my head without the thought-hibernation time, every step away from the venue a letter on a page. It's so amazing to witness how music can pull together such talented, passionate and nice people, no wonder you walk away inspired and with a heart filled with joy. In the end I would just like to thank Joao for being quite friendly and taking a few moments to talk to my friend and me and for actually being a follower of my blog. And of course, thanks to anyone who managed to organize this event and bring these great artists to Belgrade, this has the potential to be the best show this year.

Sunday, July 18, 2010

V.A. - Connections Part II - Six Way Split (2010)


Download

I am absolutely excited about hearing this! Just pushed "play", but I wanted to share this with you boys and girls as fast as possible. Will do a write-up about it when my thoughts on it settle down. Thanks to The_Poltergeist for sending this to me, I owe you one!

Friday, May 28, 2010

Adorno Europe Summer tour 2010

The famous screamo band storms from Portugal to send us an amazing present in the form of a huge list of tour dates! July/August are going to be hot in Europe!

16. Spain/France - Book us
17. France - Book us
18. Germany - Book us
19. Germany - TBC
20. Germany - Book us
21. Italy - Milan - Dauntaun with Ampere
22. Germany - Book us
23. Czech Republic - Day Off
24. Czech Republic - Rokycany - Fluff Fest
25. Czech Republic - Book us
26. Austria - Wien - Book us
27. Slovenia - TBA
28. Croatia - Book us
29. Serbia - TBA
30. Hungary - Budapest - TBA
31. Slovakia - Bratislava - Book us
1. Poland, Cracow - TBA
2. Poland, Warsaw - Klubojadalnia Eufemia W/ Setting the woods on fire
3. Poland/Germany - Book us
4. Germany, Berlin - TBA
5. Germany, Kiel - Schaubude W/ Ritual
6. Germany/Denmark - TBA
7. Denmark - Copenhagen - TBA
8. Norway, Oslo - TBA
9. Sweden, Stockholm - TBA
10. Sweden - Book us
11. Germany - Boook us
12. Belgium - Book us
13. France - Book us
14. France/Spain - Book us
15. Spain - Book us

As you can see, massive and exciting list, but they still need help with dates and booking. If some of you can help them set up a show, get in touch with them via myspace (found here) or if you don't have a ms account, send me an email and I will forward your message to Adorno.
While we are at it, might as well share some tunes...

Adorno - Said and Unsaid 7'' (2010)



There are several reasons why I decided to post this release. The first and most obvious one would be the top post, the announcement of Adorno's tour. Second, while I was looking on the internet for this album, I noticed a lot of negative responses about style changes, which I will discuss further down the review. And third, "Adorno" just blows my mind away, so why not!
Generally speaking, the dislike part dragged me the most on posting this, so let's get to it. We have all heard about this band, amazing four-piece from Portugal, characterized by distorted, noisy, yet melodic, emotional and beautiful melodies followed by intense, rough vocals. Yet, along the way, stuff changed, mostly on the "intense, rough vocals" part. The once coarse vocals have shifted (evolved?) into a stunning, "clean" voice which, if I may compare, remind me of the singing in one other famous band known as "Yaphet Kotto". I never had a problem liking the "old" sound of the vocal in "Adorno", but this style of singing flows closer to the instrumental part, giving you a much better recognition of synergy and composition. But face it, we are on the interwebz here, this shit was once brOOtal dude, why the emo change? And just face it again, this review ain't changing opinions. You will either hate "Adorno" or love it, but I am definitely a part of the latter. The fact is that the band took a small turn in their style of performance, yet this is still, as always, a very passionate, brilliant and inspiring project, solemnly giving you enough proof that they are blooming.
And lucky for us, this blooming is not followed by wilting, since "Adorno" is working on new material. They have a freshly uploaded track on their myspace, a song for the upcoming 12'' split with "Kias Fansuri", "Suis La Lune", "The Saddest Landscape" and "Captain Your Ship Is Sinking" (wow!), which is part two of the "Connections" project by Moment of Collapse Records. But for now, enjoy this amazing 7''.