Showing posts with label June Paik. Show all posts
Showing posts with label June Paik. Show all posts

Sunday, August 5, 2012

Festival report: New Noise 2012


As you have figured out by now, most of these reviews were written way before they got to be posted, so the dates might not match with certain show times. This here, for instance, will be a review of the “New Noise” festival which I’m writing in the train that is rushing through Hungary to get to the Czech Republic. Yes, I am again going to visit “Fluff Fest”, though this review will probably end up being posted quite some time after the said festival. I’m spending a lot of time with my girlfriend and my writing and internet time is rather scarce, so that is why the posts are so late and mixed up. All in all, this is a really epic summer trip and the number of shows I need to write about is constantly increasing. I just want to take this opportunity to say how sorry I am to all the bands that have sent me their material and everyone who is waiting to be hosted on “Natures With No Plagues”. Thank you for both the interest and the patience, I will surely dedicate my time and words to all of you. But until then, it’s time to drop by to Karlsruhe!

Here we are with yet another European music festival with a lot of tradition behind it, spanning for seven years now. Although it has a rather long life span, I have to admit that this is the first time I hear about the event. Got to say that I was really impressed by the lineup and the overall idea of the entire happening. "New Noise" took place at Ostauepark, located in the eastern section of Karlsruhe, on 7 July 2012. My woman and me were nested in a youth hostel, located a good half an hour walk from the fest, so we grabbed a chance to get to know the city a bit. Karlsruhe definitely seems like a wonderful place to live, especially thanks to that one enormous park-botanical garden located in the center. Reaching the festival was rather easy due to the signs posted by the organizers, which really made things go smooth at a certain point. "New Noise" itself consisted of two big tents where stages were set up, numerous distros and food and drink stands circling around the entire perimeter. There was also a sitting area with benches, located in the center of everything, and also a rather big grass field for laying around. Overall, it seemed really cozy and there was always room for everyone everywhere, so big thumbs up for the organizers of the event.

The timetable for this awesome day looked like this:
First Tent
13:00-13:25 The Tidal Sleep
13:40-14:05 Nine Eleven
14:20-14:45 Tempest
15:00-15:25 Run With The Hunted
15:40-16:05 Aussitot Mort
16:20-16:45 Code Orange Kids
17:00-17:30 Sailing On
17:45-18:15 Midnight Souls
18:30-19:00 Loma Prieta
19:15-19:45 Adorno
20:00-20:30 No Turning Back
20:45-21:15 Defeater
21:45-23:00 Church of Ra Showcase

Second Tent
13:25-13:50 Unveil
14:05-14:30 June Paik
14:45-15:10 Titan
15:25-15:50 Man Vs. Humanity
16:05-16:30 Vestiges
16:45-17:10 Downfall of Gaia
17:30-18:00 Birds In Row
18:15-18:45 Former Thieves
19:00-19:30 Anchor
19:45-20:15 Brutality Will Prevail
20:30-21:00 Graf Orlock
21:15-21:45 Celeste
23:00-23:30 Raein

First band in line which we managed to see was none other than “June Paik”. I barely managed to brace myself after their previous performance and here they were again, ready to devastate me once more. To make things even crazier, their sound was far better here than on "Cry Me A River", so you can just imagine how powerful their set was this time. Their scheduled playtime was much shorter than on the previous fest however, but the strength of the impact hit they made on the audience was not crippled by time in the slightest. "I" was played again and it is wondrous what the band manages to do with that song. A true work of art, especially when created live, just a perfect composition leaving you breathless and in a very specific mood. And I will leave it at this in hopes that I don't end up sounding like a fan boy, especially after my previous review of their gig on "Cry Me A River".
The first band I watched had a little bit of a delay due to some issues regarding setting up, so I was kinda late to see the full set of “Tempest”. Of course, what I did witness was enough to show how many asses the band can kick. Attending their show for the third time now and the band keeps showing that it is always so pumped with amazing vibes and energy, so much passion and creativity. I came just on time to hear  my favorite song again, "Death Rattle", and it was absolutely enough for me. We stuck around for another number and then it was time to raid the distros. As I said before, keep an eye out for "Tempest" and try to attend a show, you'll leave with your jaw on the floor.
It was time for “Run With The Hunted”, so we were forced to somehow make our hands unglued from the awesome records present at the festival. Seriously, if my wallet was big enough I would probably spend the entire day just swimming in a sea of vinyl. Anyway, the hardcore outfit from Phoenix, Arizona delivered a really fast punch with their set. A very lively performance with excellent sound, the band quickly managed to intrigue and move the audience. I was present for only two songs on their gig, so my impressions are rather limited, but from the start they showed that they will give all they've got and that it's bound to be a fun ride. I also failed to see them on "Fluff Fest", but as much as I saw people were walking away after their gigs quite happy.
After failing to see “Aussitot Mort” when they were touring Europe with "Heaven In Her Arms", cursed be my life, I finally had the privilege to do so. The French quartet opened with "La Ride Du Lion", the first song off of their newest outlet, and those very first tones instantly blew me away. The power and intensity of their recordings were perfectly transferred to the audience live in concert and even increased beyond anything I previously imagined. With the help of the "venue" and its excellent sound, "Aussitot Mort" managed to create an amazing atmosphere and connection with the crowd, making their set really intriguing for watching and listening. They showed how and why they are one of the most important bands in that astounding post rock rock screamo crossover and that they are a project you definitely need in your book. Sadly, due to the timetables being a little messed up, I was only on a tiny bit of their performance and it was already time for another band to be grabbed.
Rushing to the second stage and grabbing a perfect first row place for “Vestiges”. Thus far, I think my readers have a great understanding of my thoughts about the band and how much attention this blog showed for the whole project. From the initial moment I heard their music and up to this point in time, my love for their work has been rapidly growing and I was happy beyond reason when I realized that I will see them live this summer. The time finally came and the band naturally opened their set in the same fashion as their record begins. My excitement was at a boiling point, but once "I" exploded their set proved to be really crippled due to insanely stubborn problems with the singer's microphone. Despite screaming and growling from the top of his lungs, Alex just couldn't be heard at all. It was really unpleasant standing there and seeing the man give his best, but get sabotaged by the equipment. I just have to give a negative shout out to the organizers for this, since they made a really tight schedule, basically forcing the bands to play, without making sure that everything technical is okay. Instead of providing stupid, worthless red lights during the day on the stage, a little more attention and care should have been paid to whether or not the equipment is working, since "Vestiges" are not the only band that had issues. Needless to say, the band managed to provide an astounding show despite the difficulties they faced, especially the singer who didn't stop for a single second, just proving that they are a true force to be reckoned with. Their music was exceedingly powerful live, giving absolute justification to their recordings and the entire concept of the project. "V" was also played and it was such a breathtaking, passionate finisher of their set, since seeing one of their guitar players putting a maximum of his heart and soul into the performance was quite a sight. I will stop here with my thoughts, since you'll be reading more about them in an upcoming review of their show with "Downfall of Gaia" in Nijmegen, the Netherlands, so stay tuned!
Once the quintet from the States ended their act, it was time for “Downfall of Gaia”. In case you follow my blog for a longer period of time then you are aware that I did a little bit of travelling with this band last year. So not only is my love for their music strong and endless, but I also consider them really good friends and it was utmost pleasure to see them again. As expected, they managed to knock me off my feet in a second. For a while now it has been known that the band is recording new material for an upcoming double LP, so this was a grand occasion to hear some of their new songs. If memory serves me well, two new songs have been performed and they left me speechless. Ever since the band formed, "Downfall of Gaia" has been in a constant cycle of evolution and their newborn is not without such a merit. Further expanding their music and putting an even higher accent on black metal and those gloomy atmospheric sections, the band hinted what they have been creating for us behind closed doors. Everything that was remarkable about "Epos" has been kind of upgraded and put on a new level with their new material, which definitely made me even more thrilled about hearing the entire album. Aside of those songs, "These Wet Feathers..." was also played, which is one of my personal favorites. Overall, an amazing performance and a wonderful preview of what is yet to come from this project. 
Short break and then coming back to the same tent to view “Birds In Row”. To be honest I haven't listened to them in a long time, the pinnacle of my attention for them being drawn way before the band got signed to "Deathwish Inc.", after which I almost forgot about them. Either way, the band swiftly brought back the memory of why I liked them in the first place. Their songs were always impacting and strong, but I never imagined the band sounding as powerful as it did live. Completely exceeded my expectations. "Among the Ashes" and "Colossus" were enough to set everyone who was present into the right mood, although the band kept beating their instruments without remorse. Definitely a wild and entertaining performance.
“Loma Prieta”, strike three. Much like "June Paik", they had far better sound quality on "New Noise" than on the previous festival and it resulted in a really intriguing performance. Continuously energetic and fierce, the San Francisco four-piece dropped a chaos bomb into the venue yet again. In contrast to their past gigs that I attended, vocals had a really high volume and it was both a surprise and a pleasure to hear them under the spotlight. The crowd was also quite responsive to their tunes with dancing and even some stage diving. Their performance went wild and boiling until the last song, that being "Trilogy 6 "Forgetting"", when Michele from "Raein" sat behind the drum kit while Val was picked up by the audience along with other parts of the set and so he played like that in mid air. Definitely a really epic and crazy finisher which no one could expect!
Once the chaos from the previous band went silent, it was time for “Adorno” to take the stage. This would be my second time watching them live, since previously I saw them way back in 2010, an experience about which you can read here. As much as the previous show made me smile and enjoy, so did this one leave a purely positive impression on me. Their melodies have an uncanny ability to instantly put a smile on your face and just wash you over with so much nice energy. Songs from "Said And Unsaid" were played, as well as from their split with "The Black Heart Rebellion", making their setlist a really amazing one. The band also kept their friendly ways of talking to the audience, so overall this looked more like a house show than a festival gig, which is a huge plus in my head. Extremely happy I got to see them live again and I am definitely hoping that they will have more activity in the future.
Okay, this is where things get downright serious. Thus far this review was really easy to write down, but now I'm sitting here with absolutely no knowledge where to start. “Celeste”, the well known four-piece from France, has a special place in my heart. They bear members from "Mihai Edrisch", a band which I love inexplicably and hold dear beyond this world, and that alone was always enough for me to  be infatuated with them. Their music is, without a doubt, a story for itself. Numerous times I found myself trying to somehow properly categorize their sound in a specific genre and always failed. The unstoppable and devastating impulse going under the name of "Celeste" has been a thing so unique that it can't be placed or tamed into a tag. But without further ado, let me get back to writing about the show. Darkness fell into the tent and only four red dim lights were hovering on stage, illuminating from tiny lamps placed on the heads of the band members. Smoke crawled around the stage and the audience, mystifying the setting for what is yet to come. And when the beast came, it couldn't be tamed until it was killed by lack of time. I won't even say which songs were played, because their set was simply an unstoppable, violent behemoth with only second long breaks for a single breath. I have never in my life witnessed four people creating such a destructive wall of sound, so powerful that I thought the ground will break under our feet. Everything seemed to crash down onto the audience, the crowd also deciding to give its violent outburst in response to the band's apocalyptic rhythms. I was simply stunned beyond words. All I can say is that this is absolutely one of the best shows I attended this year. The repertoire of bands I saw in 2012 seemed like it will be hard to pick out my favorites, but "Celeste" made their place as number one without a doubt. I am sure they won't be taken down from the throne in the upcoming months, this is something that you experience once in a lifetime. My entire experience was definitely sealed and made complete with talking and shaking hands with Johan, singer of both "Celeste" and "Mihai Edrisch" and a man I consider truly as a one of a kind artist. I will stop my review of their set here and just say that if you can go to their show, just go. If you haven't heard about them, take a listen and stop missing out.
“Church Of Ra” was the name that closed the day for me. The act with the longest scheduled playtime, a band consisted of members from "AmenRa", "Oathbreaker", "Hessian" and "Syndrome", picked as something that can bring an epic ending to this year's "New Noise" festival. I am probably playing with fire here, but I have to keep my honesty on a high level and just say that I was sincerely bored. Maybe it was due to the fact that there was and is so much talk and hype about this collective that I pumped up my expectations to high. The band members on stage kept switching during the set and each time that would happen I was hoping for something intriguing to happen, but it never did. At times all members would be on stage, I can't really recall was it eight or nine of them, and they would play at the same time which would create a truly massive sound. Even that failed to actually impress me. My personal opinion is that any band making that much noise after "Celeste" is doing just that, making noise. Definitely a lot of factors played their part so that I ended up not liking the band, though I absolutely saw that they had a massive crowd, so I am probably just a drop bouncing off from the ocean. To each his own, though I do feel real regret that my sacrifice of seeing "Raein" in the other tent was in vain. Pity.
As you can see, this has been a fantastic day. Lots of amazing bands, great distros and a really interesting place to hold a festival. Like I already mentioned, my only complaint goes out to issues regarding equipment, since that managed to mess up the timetable a fair bit. Otherwise, "New Noise" proved to be a really intriguing festival and I hope that its tradition will be kept alive in many years to come. Special praise goes to my girlfriend, who managed to keep up the game with me despite me being really dumb at times. That's love for you!

Tuesday, July 31, 2012

Festival report: Cry Me A River 2012, day two

The previous reviews concerning the “Cry Me A River Warm-up show" and the first day of the festival have already been written, or at least started, yet still not posted due to yours truly being extremely busy in the last days. At the moment it is around 7:30 AM on July 11 and the girl and me are on a plane to Budapest where we are going to grab a “Rosetta” show, which will also be reviewed of course. I’m currently facing an annoying writer’s block, due to being quite tired and insanely excited about the upcoming trip with my life companion, so I’m basically trying to write and edit the reviews here and there, so pardon me if they end up being too hectic. (I left this unedited just for the fun factor, yes, I am lame)

To be absolutely honest, I have no idea what I was doing between waking up and the beginning of the shows, so I’ll just present you the timetable for the second day of the festival. Bands performed in the following order:
14:15 Autarkeia
15:00 Panzram
15:45 Hungry Lungs
16:30 The Gentle Art of Chokin
17:15 Grinding Halt
18:00 Keitzer
19:45 Planks
20:30 Trainwreck
21:15 Battle of Wolf 359
22:00 June Paik
22:45 Loma Prieta
23:30 Graf Orlock

If you read my review of the ”Cry Me A River Warm-up” show, found here by the way, you already know how much I was amazed by “Autarkeia” and I was definitely looking forward to seeing them again. Unfortunately, though at the same time quite fortunate for me, the moment they started to play my phone began to ring and I realized that my better half finally arrived to Versmold along with “Loma Prieta”. Many hugs, kisses and smiles afterwords, we ended up missing both the quartet from Florida and “Panzram”. I really had no luck grabbing the latter band.
“Hungry Lungs” was the first band that we managed to catch that day. Although the band kicked it off rather nicely, they faced some serious technical difficulty and it entirely ruined their performance. If memory serves me well, the guitar player had problems with his equipment and also the microphone was somewhat buggy. It all just boiled to the point where the band had to cut it short. What little was heard from them was intriguing and it really sucks that they couldn’t have a normal, full set.
Now comes the section of the review where I have to admit that my laziness succeedes in ruining things, since I remember seeing “The Gentle Art of Chokin”, but details about their performance in my head are really scarce. I do recall being quite entranced by their act and that the band was interesting to watch on stage, since they were moving around a lot. At the moment I do not have access to their recordings in hopes of refreshing my memory, so I’ll sadly keep this part of the write-up short. Forgetting a particular performance definitely makes me feel old. This is sad.
After a short break it was time to see “Grinding Halt”, this occasion being my third. There really isn’t much to say here since I think the previous two reviews covered all the important details, enough at least so that the readers realize how much I’m infatuated with their work. All those things that impressed me during their previous performances were present and combined during this set as well. They just keep showing, again and again, that they are getting better with each gig, always having an ace up their sleeve and never failing to impress. And sincerely, each time I see them live I feel sadness that I never saw “Shikari” play, so I guess that speaks a lot about this band on its own.
“Keitzer” followed after the Dutch quartet and I have to say that this is the band I heard nothing about, aside of seeing a lot of people wearing their shirts. I got to admit that attending their show out of the blue, so to speak, was really awesome due to the fact that I didn’t expect to hear anything similar. The five-piece from Germany blasted out with a really techical form of metalized hardcore, throwing at the audience rending melodies which were extremely precise and somehow seeming to be without pause. It was a real whirlwind of an act and I’m sorry that I didn’t listen to them before, so that I could tell you more specific details about their gig.
Next up, “Planks”. Sadly there is not much to say here. I absolutely adore this band on recordings at home due to the fact that I enjoy the truly grim atmosphere they create with their music. Despite my huge excitement to see them perform live in concert, they just failed to impress. The tunes remained dark and moving, but the overall mood was somewhat broken by the vocals, which in my opinion sounded rather off. Throat duties seemed to be completely unmelded with the rest of the band, so much in fact that I thought that the band changed their vocalist. I talked to other people about this later, since I went out of the venue in the middle of their set, but in the end everyone seemed to be positively stunned by the band. All in all, this remained a big question mark above my head.
Now comes the part of the review where I was truly surprised in the most pleasant of ways. I always loved “Trainwreck” and seeing them last year on “Fluff Fest” was great. Although I really enjoyed their performance, I remember that the crowd was rather dead and it made their act kinda static. This time the exact opposite happened. The band just got on stage and ignited the entire crowd in flames. Everything went nuts and it was an absolute enjoyment to see how the band and the audience managed to connect with constant movement, screaming and clapping. My favorite song, “Piano Gigante”, was played and it made me quite happy in the same way as it did last year. Overall, this was an excellent set and definitely a band worth seeing live at any cost, since it seems that it never fails to impress. I hope I get to see them play again, this was awesome.
Oh my, here we come to the absolute pinnacle of the second day, none other than “Battle Of Wolf 359”. When the festival line-up was initially revealed I just knew that this band will be one of the highlights of the entire event and my expectations were building up until that very moment when they climbed on stage. Seeing as how it was also announced that this will be their last ever show, it was simply sensed in the air that the performance will be epic beyond words. And to be honest, I am at a complete loss of words when it comes to writing about their show. The sound was perfect, the execution of their songs flawless. Not only that, but for the third time now this band proved to me that they are a true monster live, exploding on stage and blasting away the audience in the process. The entire mass of people in front of the band has detonated with movement in the same moment when music was created and the eruption of body motions didn't cease until the very last second. I was standing there uneasy for the first few songs until “Cyberdine” was dropped. Usually just a calm listener and observer, I was so moved by that piece that I engaged in a crowd surfing maneuver which, believe it or not, lasted for the entire duration of the song. It was so unbelievable screaming the lyrics and flying over the hands of the crowd to one of my favorite tracks. Absolutely epic. Additionally, as it is almost a tradition on “Battle Of Wolf 359“ shows, a human pyramid was performed twice, once unsuccessful and the second one a complete ace. Yours truly participated in the latter one and nearly on top, after which more crowd surfing followed! This write-up seems more like a list of things I did than an actual review of the musicians, but I have simply never been inspired and driven by a band in concert as much as then. This band doesn’t leave anyone standing and doing nothing, it entirely ripples through the room and leaves everyone shaking. With the last bits of energy making the bodies shiver and a truly cataclysmic ovation, “Battle Of Wolf 359“ was over after an astonishing gig. And after everything has been written, I sincerely don’t know how to end this part of the review and kinda give a closing word for the band, since they truly manage to invoke a lot of emotions in me, and I presume in many of you as well. The show was magnificent, the band legendary and it should never be forgotten.
Due to the enormous excitement and fatigue by virtue of the previous band, I completely forgot that there is one more performance that was bound to splatter my brains over the entire venue. “June Paik” is just one of those bands which I extremely craved to see live ever since I first heard about it. I was still shaking after “Battle Of Wolf 359“ and then this band came to just deliver the death blow. I have to be honest, I had extremely high expectations for their performance since I heard numerous stories regarding them live, of people trembling, shivering and even crying during a particular set. I was always attracted to this band and there was no reason not to believe in those experiences, but I waited to judge them only once I saw them live and now was my chance. To be honest, it is really tough explaining their set due to the amount of positive impressions it managed to leave on me. In essence, the band took the stage and explained how to proprely blow away everyone in the venue. “June Paik” is a project that always excelled at making eerie, brooding melodies with epic crescendos and it is stunning beyond belief how much all those positive things about the band increased during a concert. Slow song sections are a thousand times more melancholic, succesfully raising all the hairs on your skin. The outbursts of violence and chaos are overwhelming, making me feel as thought the very sounds can shatter entire worlds. Hearing “I” being played was enough to push me overboard and get me into a trance until the end of their set. The atmospehere they managed to create in a single swipe was truly unbelievable and it held its ground until the sounds they made died. Taking my time now to reflect back on the show really makes me mute, since this was a stunning part of “Cry Me A River” which I will always cherish and definitely one of my top three performances of the fest... and in general.
Time for yet another occasion to see “Loma Prieta” and I have to say that this performance made me want more. Initially, I was annoyed by the amount of noise that was somewhat crippling the entire experience of watching them live and it left me rather unpleased. But at the moment I am listening to their recordings at home and comparing those to their live manifestation managed to show me how actually awesome they are in concert. Although they are overdoing it with noise at times, their sets end up being extremely wild and fused with energy as a result. Their entire performance is a huge ball of chaos which you have to take in as a single swallow and the amount of audio pummeling you receive is truly a choking sensation. Seeing the band create so much noise is something astounding, a thing I didn’t pay attention to when I first saw them live. Their speed and precise playing is really a thing worth envying. It took me two of their concerts to realize how great the band is and thus I wish I could summon them whenever I want to so they could play in my living room. Two down, two to go.
Last band for that evening and of the festival entirely was “Graf Orlock”, the well known cinema grind from Los Angeles. I was aware that I would be seeing them multiple times this summer, but frankly I wasn’t really overexcited about the fact. This band always had my liking, though for some reason I was not that much looking forward to hearing them live and a couple of times I even forgot that I would. Then they came on stage and punished me severely for thinking like that. Damn it, their performance was a maddening rollercoaster! “Game Time”, “A Waste Of Ammo” and “A Shocking Interrogation” are just some of the songs that made everyone in the room go insane. If people weren’t already fatigued by the previous bands then I guess the venue would be demolished to the ground. When the crowd was lacking energy then the band was bursting with it, being perfectly angry and violent as much as the tunes are. Their songs sounded amazing and exactly as on recordings, though with additional awesomeness live in concert. The movie samples managed to draw even more smiles than usual during their gig, while the actual music seemed more destructive than ever. “Graf Orlock” finished their set with the dying melody of “The Dream Left Behind” and their singer crowd surfing to the end of the venue and back, after which an encore song ensued.
And this wraps up my time spent on “Cry Me A River”, finally attending the festival after years of trying. Both my girlfriend and me were seriously trying for several years back to get to Versmold and always failed, so going together at last was quite wonderful. Personally, every bit of the event was perfect for me, from an amazing list of bands and the venue to the “during the gig” experiences and shopping for merch. In the end I would just like to thank Lars for keeping such an awesome tradition alive and strong, as well as all other people and bands involved with the festival. Definitely see you again next year!

Friday, September 17, 2010

Triple kill!... I mean post.

I'm currently in some weird uninspired mood and seeing as the next post on the blog will probably be on Monday/Tuesday after the "Alpinist" show, I'll throw at you a triple post. That, and the fact that these bands are quite well known, thus my "promotion" of them won't really be of huge significance. So, two write-ups, three bands, five songs.

Zann - X 7'' (2010)


If you boarded the screamo boat somewhere between 1999 and 2010 you were bound to be introduced to "Zann", one way or the other. For the past eleven years this German five piece pounded our ears with a superb combination of chaotic hardcore and (metalized) screamo, only growing and being stronger along the way. The band's unusual life span is coming from the fact that, aside of adding one more member after a few shows, there have been no lineup changes.
I remember that I first heard "Zann" a few years ago when "Three Years In The Desert" came out and honestly, I loved it immediately. It had a chaotic, splashing, deep, pace changing sound, which was really unorthodox to the screamo I was used to. They created a unique style which you can quite easily discern and they sticked with that approach on all of their releases, as well as on "X". The well known chaos still prevails here with a touch of high noted guitar and a sort of breakdownish elements. Compared to previous releases, "X" is slightly less distorted and has a bit more clear sound. On the other hand, the vocal has been blended down to fit more equally with the rest of the band, since i.e. on their 2008 four way split you have a feel that the vocal is pushed a bit in front of the instruments.
"Zann" is well known for being slow with writing new music, but that is due to the fact that they are on the road a lot. Thus, this two song, nine minute 7 inch filled with extremely well composed chaos is here just to show us that "Zann" is still strong even after 11 years of sticking together and raging across the world with their music. Hopefully they will figure out in one moment that there is this one country called Serbia which they haven't visited yet. But until then, I'll just enjoy this superb record!

June Paik & Battle of Wolf 359 - Split 2010

Time for some split goodness, this time with two amazing bands, which share an identical intrusion into my brain. First moment I took a listen, these bands grew almost instantly in my heart and are really some of my favorite projects in the genre.
"June Paik" is a band hailing from Germany, their name a reference to the american video artist Nam June Paik, about who I actually know thanks to my girlfriend. When the tunes from their 10" struck me I was completely blown away with their dark, brooding melodies and a perfect combination of noisy explosions and quite saddening tones, "June Paik" quickly rushing up my charts. To this day I'm still amazed with their songs and really regret the fact that seeing them live eluded me for two times now. One day hopefully. Anyway, these guys bring us one new song, "Grenzwert" being a nearly seven minute behemoth of a song. Absolutely perfect song composition strikes again, the song constantly shifting between slow, mid and fast tempo, feeling as though you are watching the best thriller movie, not knowing what is going to happen on the next corner.
There is one important tidbit that I would like to add. Though I love all of their material, on their LP I missed the amount of chaos and distortion present on their previous 10'', it was too clean. I loved the LP, but it was on a lower love scale than the 10 inch and I feared that with time they will make not so good material. Well this song smacked me in the face. Though it is clean and with best possible production and not so distorted, "Grenzwert" was the kick I needed to see how they actually evolve rather than decline in quality. Beyond that there is not much I can say here, this is absolutely stunning.

Second part of the split occupied by the UK "Battle of Wolf 359". As mentioned above, took a listen to their Tour cd in 2007, instant love. That and the fact that I'm a sucker for the word "wolf" (and other forms of the word) being used in the band name. All of you who already know about this band, and I'm sure that you are many, know that BoW359 is famous for their extremely heavy and down tuned sound, nearly metallic riffs and interesting lyrics. I remember that on their Tour cd I loved how at one instance you hear a calm guitar tune and then suddenly everything explodes, a rushing and maddening melody. They stood by their composition style all this time, using a combination of mid and fast tempo style of playing and just looking at a retrospective of this band's work they just get better and better. Also one of the things that really does it for me with this band is the excellent vocal performance, which despite all the chaos and distortion you can clearly hear and enjoy.
In the end, just have to say that just now I realized that I picked three bands which are all quite dark and chaotic. Stupid me for having a sense of repeating myself while writing all this. Though similar, all these bands are amazing and great in very different ways, and have been kicking this scene for quite a while now. Respect and support very much deserved.