Expectations - May Euro Tour 2013

In the vein of the previous post, I'll be helping "Expectations" with booking their 2013 Euro tour. They hit the road in May and will flame up a fine number of countries for the upcoming Summer.

May, 17th - Sofia, Bulgaria

May, 18th - Novi Sad, Serbia

May, 19th - Pecs, Hungary

May, 20th - Wien/Salzburg, Austria - NEED HELP

May, 21th - Ingolstadt/area, Germany - NEED HELP

May, 22th - Würzburg, Germany - Die Kellerperle

May, 23th - Neckarsulm, Germany - TBC

May, 24th - Freiburg/area, Germany - NEED HELP

May, 25th - Zurich, Switzerland - NEED HELP

May, 26th - Vicenza, Italy - NEED HELP

May, 27th - Bologna, Italy - NEED HELP

May, 28th - Rimini, Italy - NEED HELP

May, 29th - Pescara, Italy - NEED HELP

May, 30th - Bari, Italy - NEED HELP

May, 31th - Larissa, Greece

June, 1st - Thessaloniki, Greece

A long list of dates, but as you can see they still need help. In case you can provide them with a booking contact or maybe even book them yourself, you can get in touch with the band through their facebook page found here, leave a comment at the bottom of this post or send an e-mail via the following addresses:

dancho AT ftkbooking DOT net

shivery.productions AT web DOT de

Expectations - Self-titled (2012)

All of a sudden I have so many different things to post on here and I found myself not knowing where to turn first. After this review I will be publishing some updates which will happen on the blog, as well as some other ideas I have at the moment. Until then, hope you enjoy the read bellow.

Today we have "Expectations" under the spotlight, a five-piece hardcore outfit hailing from Sofia, Bulgaria, going strong since 2009. Previously, this band has already been mentioned on the blog when I did a tour diary concerning my time spent on the road with "Downfall of Gaia" last year. I saw them live in Sofia, a write-up which you can check out here, and I have to say that I went home fairly impressed. Even if you managed to skip that concert review, the band was on the road through Europe this September, so some of my readers maybe even grasped the privilege to see them live.
So in case you skipped my concert review, what's the deal with "Expectations"? They throw at us some truly emotionally charged modern hardcore, where you can hear a lot of possible influences, ranging from "More Than Life", "Carpathian", "Ruiner" and even some "Funeral For A Friend" moments, all the while being twisted with a touch of their own style. Pretty much everything I liked about them live has been transferred onto the recordings. Usually I end up liking these types of bands more during gigs than on recordings, but here it ended up being equally enjoyable. I ended up rewinding the seven songs present on this release numerous times and each time they just keep growing on you.
Their songs are very dynamic and energetic, consisting of an equal dose of rushing, chest pounding tunes and slower, more dragging sections. The faster melodies can truly throw a punch at your ears, something that I remember surprising me quite a lot last year. There's a fine number of atmospheric sections floating on this release and they manage to slightly push this band away from those more generic and common hardcore acts. At moments, their tunes come close to sounding like a fairly heavy post rockish incarnation and an accent is put on the overall ambient. Faster song sections are pretty straightforward and I really enjoyed them in the same amount as I did live. On top of all that, you notice that the band likes to toy around and experiment with their melodies, so various tempos and styles of playing can be heard on this release.

I also loved the occasional appearances of other band members on vocals, who sound awesome altogether and definitely add a lot of flavor to the overall feel of the tracks. "Only Real When Shared" is an excellent example of this, since it features the drummer on vocals, if I recall well from their live performance. Singalongs, or well screamalongs, are also present which is a thing really loved by yours truly.

This manifestation of "Expectations" comes in CD format, released on 25 March 2012. It arrives in a really neat, high quality gatefold package. Once you open it, the outside expands the cover picture while the inside pages reveal the lyrics. The overall design is rather simplistic, yet oozes with melancholy. If you are interested in hearing or downloading this release you can do so on the band's bandcamp page found here. Additionally, if you desire to grab some other merch, the band has set up a big cartel page, which you can visit here. On both links you will notice that the dudes managed to put out some more new material, an EP named "Gone", so check it out while you're at it.

Overall, this is a really neat release. The band managed to spark a fire with their potential and they don't seem willing to stop. "Expectations" already announced that they are booking a new European tour next May, about which I will make a post soon enough. I am yet to take a listen to their newly released recordings and my readers might beat me to it, but if they continued in the fashion of this self-titled then you have nothing to fear. Check them out, stay tuned for the tour dates and I hope you enjoyed the read.

Gig announcement: Mono, Dirk Serries' Microphonics

 

"Resetor booking & promotions" strikes again. When they first contacted me about doing promotion for this concert I instantly got the biggest smile on my face. Although the gig is happening in a number of months, I'm already extremely excited about it.

"Mono", simply reading this name is enough to get your head spinning, your heart warm and to skyrocket your determination about going to this event. After almost three years since their previous show in Belgrade, the grandiose post rock quartet from Japan is back once again. Leaving people breathless and stunned for an impressive twelve year lifespan, the band is determined to conquer Europe in the name of their newly released studio album, "For My Parents". The band will be on the road for five long weeks, so you can keep an eye open for updates on their website found here.

Following the world-shattering sound of "Mono" will be "Dirk Serries' Microphonics", a one man project from Belgium. With just a guitar in his hands, various effects in his pocket and a keen sense of improvisation, Dirk Serries will unleash brooding, melancholic soundscapes upon the audience. Be it in the form of industrial sounds, tribal-like melodies or a soothing ambient, this part of the evening will surely grasp all the attention it deserves. A glance at his work can be cast here, more than enough to make the listener tremble.

This wonderful event will take place on 11 February 2013 in "Club Fest", a venue covered in a gig review found here. Ticket pre-sale begins on Monday, 23 December 2012, directly at the venue and in the "Felix Shop" in Belgrade. You can also reserve tickets, by leaving your full name and phone number, via the following e-mail: kartemono AT gmail DOT com

Thirty Dollar Bill

This is a post I've been intending to publish for a very long while now and have been quite reluctant to do so. Sadly, personal life has pressed me heavily for an extensive period of time and I've been basically forced to fend as best I can. I'll keep the write-up brief and I'll try to be direct.

As some of you might know, either from knowing me in person or from following my tumblr, I've been trying to make something happen with my writing for ages. Like all other artists or writers, it has been really tough making ends meet, especially without having a job or steady income. I've been jobless for almost two years now, not because I'm not looking for one but because I can't get one. Many factors are involved, obviously both personal and economical, but I presume that those reasons aren't really for public eyes.
So the reason why this post is being written is that I am desperate and hoping that this blog and its dear readers can help me, in essence, to survive. I've always despised the usage of advertisements and similar banners on blogs, so I will definitely keep my own page clean of such pestilence. Thus, I have decided to add a donate button instead. Maybe a few dollars or euros might not mean much to some of my readers, but right now to me it would mean the world.
Now I know that many will meet this move with a frown on their face, but hopefully people will realize that I am doing this out of pure necessity and not greed. I love this blog and the only thing I can do now is try to rely on it a little. I've been through a lot with this project and not everything has been pleasant. Still, after all the good things and even those bad, I keep pouring my heart and soul into this and it is my only hope that it can somehow make me go forward through these particular harsh times.
Soon enough, namely in a day or two, I will publish a longish post concerning updates which will happen here, as well as info on some future writing projects of mine, as a way to reach out to all of you and to make your stay here more comfortable. Thank you for all the attention and all the support you have showed me thus far. 

Cutthroat Convention - Peeling the Sea (2011)

I planned to post something else today, but somewhere along the way I got severely sidetracked. Hopefully tomorrow, or otherwise as soon as possible, that post will come due to the fact that I find it rather important. In the meantime, here is another release review and I hope you find it enjoyable.

Not long after the "Ludovik Material" write-up, comes yet another out-of-the-ordinary band for this blog. "Cutthroat Convention", a UK-based quartet, began bringing weirdo noisy experimental tunes to the masses back in late 2008. Three releases later, "Peeling the Sea" came out in June 2011 in association with a label called "Doubledgescissor >8<". It is worth saying that the project didn't stop with this release, since while I'm writing this there are two more of their outlets floating around.

First of all, you have to keep in mind that this is in no way your everyday band and it definitely desires a specific type of mood. That doesn't mean the band is bad, on the contrary. Once you get there, this is something that is bound to twist your brainwaves in all sorts of crazy ways.

Okay, so grab your mixing pot and add the following ingredients: vocals, bass, drums, stir and spice it up with a score of various electronics, samples and effects. And a tiny violin decoration on top.
So where to begin with describing things? The human element, namely the vocals, consists out of a whole spectrum of audio shapes. There's anger, whining, screaming, talking, singing, something that I would label as squealing, frustration, fast reciting... you get the idea. The changes are subtle and flowing, so you basically don't realize that the style changed until it already did so like five times.
As for the violin, it managed to bring extreme amounts of eerie factors to the music backed up by the equally strange howling of the electronic section. Those two elements combined added several really creepy song moments. In contrast to that the bass playing bounces between being quite heavy, a la industrial noisy, and melodic in a (post)punk manner. It really stood out for me and in all forms it proved to be highly enjoyable.
Now I thought that the drums will be the only firm part of the band, but apparently I was severely wrong. Like every other piece of this band, drumming also comes with a score of surprises. Either through bouncing out of rhythm, sharply changing pace or just being inarticulate, the person holding the sticks definitely aided the maddening melody behind "Cutthroat Convention".
The tracks, in general, are almost impossible to describe due to the fact that it all seems like either a really wicked acid trip or a journey through the mind of a raving madman. Thus I'll try to focus and talk just about the song construction and composition. Like I mentioned above regarding the vocals, everything is constantly changing in some weird way, all too subtly. If we would mark the song progress with a line, then these tracks would have the shape of some illiterate doodles of a schizophrenic. Nothing makes sense, yet everything seems to be in order. Songs have wild ups and downs, they get slow and stretchy, then they become faster and spastic. At times things are peaceful, while in other moments you are faced with a nerve-wrecking wall of noise. Although you might feel like there is almost no consistency in this chaotic carnival, there is a fine layer of melody and mood crawling under it.

As mentioned above, this EP has been supported by "Doubledgescissor >8<", a diy label and promoter of experimental projects settled in London. I've received the "Cutthroat Convention" CD in a really cool self-made cardboard envelope which has the label logo spray-painted on the cover. The package looks so well that I decided to keep it as a part of the CD itself. Wrapped in a plastic bag, "Peeling the Sea" comes with a rather minimalist design, with a two page gatefold cover of sorts made of really thick paper. The disc is also spray-painted with both the band's and label's logos. Overall, quite simple, but effective and nice. Additionally, you can get this release, as well as their older and newer material, for free on the band's bandcamp page, found here.

Personally, I find this a really cool release. It is not my usual cup of tea and something completely out of the ordinary, but in the right mood I find it great. I am yet to take a listen to all of their previous and newer recordings, which makes me rather excited since I am curious how much their style fluctuates between releases. The band is still pretty much alive and active, as you can see on their facebook page found here. Definitely check them out, you're in for an eerie ride.

Black Hole of Calcutta - S/T #2 (2012)

For the past couple of days I've been stuck with music which is somewhat outside of my usual norm. I guess that I get distracted way too easily, like a dragon and shiny objects. Needless to say, you should thank this band for putting me back into my rightful place, since if it weren't for them who knows when I would muster the will to write for the blog again.

Today on the blog there will be nothing but despair, rage and violence. "Black Hole Of Calcutta" comes crawling forward from Portland/Seattle, spreading darkness and chaos. As much as I've seen on the internet, there is various information regarding this project, so I'm uncertain what is the exact year of its birth, but presumably it is somewhere during 2010. Thus far the band already has an impressive amount of releases behind its back, including splits with names such as "Wojczech", "Human Error", "Lycanthropy" and "Bloody Phoenix", to name a few. Given that the band is still somewhat young, their already lengthy discography definitely deserves praise. Additionally, a little bit of info that will surely tickle your interest is that both Ian and Jesse, the strings (vocal and otherwise) and drum players respectively, also contribute to the project known as "The Makai". Aside of them, I'm not sure who else is in the band. The record sheet says that they are a duo, but elsewhere online I saw that they have four members. For the sake of the review, this is one pissed off two-piece.

So as I said in the intro, I've been distant from my music lately, but "Black Hole Of Calcutta" was just the kick I needed to push me back into my usual habits, with a complete frenzy might I add. This release is interested in nothing else other than punching you in the gut and leaving you on the ground either fighting for air or smearing yourself in your own puke.

The opening track "Myth Of Progress" starts off the album with a sludge-like rhythm, dragging around and spewing a nasty melancholic mood. One minute and some seconds into the song you are faced with a rather sharp turn in the dark corridor, since the band jumps at you and starts beating your ears into a pulp. What follows is an angry thrashy hardcore, powerviolence, crusty, dear mother I can't breathe monstrosity. From that moment on, it's all about extremely fast riffs, pounding drums and exerting your lungs to their maximum. Imagine "Masakari", "Enabler" and "Wojczech" having a tea party, then in the midst of it comes "Black Hole of Calcutta" to smash everything.

Once the five minute opener is done, you are continuously faced with short, violent outbursts of madness until the very end. Only two songs barely manage to exceed the two minute mark, so everything happens fast and you have no idea what just hit you. Basically it took me a couple of hours to take a listen to the entire record, since I kept replaying each song a dozen times due to all of them being so catchy and energetic. The thing that really caught my ear is that, despite complete mayhem going on around you, the band manages to insert an exquisite amount of jammy melodies and even flowing, melodic punkish tunes. Shortly put, this band is a whirlwind and at times you are given less of a beating, depending on where the wind throws you.

This record has been released by mutual efforts from two different labels. Release and distribution for Europe was handled by "I Feel Good Records", while "Give Praise Records" took care of the USA. You can check out both of these labels on their websites here and here, respectively. The design is simple, yet effective, as you can see from the cover. The back of the record is done in a similar manner, black with white letters showing the names of the twelve tracks. I have to say that I loved the insert from the very second I saw it. Two drawings are present and they are done in an interesting style which goes so well with the font used for the lyrics. The said font is also really plain, hand-written, but it looks so damn good. A very interesting and appealing record all around.

"Black Hole of Calcutta" managed to throw at us one truly powerful record. Excellent composition, superb production and just a massive sound featuring so much uniqueness, thus I sincerely have no flaws to attribute to these guys. I do feel sorry that I discovered them so late after many of their records, but I will definitely keep an eye out for them from now on. Check them out on their bandcamp page found here and shower them with support, you will definitely not regret it.

Ludovik Material - Passion For Red (2012)

These last couple of days I've been sorting out through all the submission I got in physical format, as well as finally replying to a bunch of late e-mails. I have also been writing and preparing a rather important post which I want to publish for quite some time now, since the need for it is pretty urgent. What makes me so slow at times is my overall perfectionism, so the blog always comes to a grinding halt until everything is done the way I imagined it in my head.

On today's repertoire we have something that is quite rare and out-of-the-box when it comes to genres  posted on this blog. "Ludovik Material", a trio from Slovenia, is a carrier of a strange mixture of sound. Add an ex-trance producer, a drummer, a female singer and what you get is a a weird experimental stew. The band is still very young, initially forming in May 2011, and they already have a turbulent biography. Quick tour of their home country, a demo and just one year later they managed to release nine songs in the form of "Passion For Red". 

Most probably I would never stumble upon this band by myself, but "Kapa Records" showed up once again to lead the way. In case you forgot, this label is responsible for two bands already featured on this blog, those being "The Canyon Observer" and "Coma Stereo". Both of those reviews you can read here and here.

What first came to mind while listening to this band was "The Animatrix" soundtrack, in the sense of having as much different sounds as there are songs. All three parts of the band twist and convulse throughout the nine featured tracks, ranging from being moody, slow, repetitive, heavy, inarticulate, exploding and everything in between. The intro song caught my attention instantly, lashing out with truly mesmerizing drum playing, gloomy electronics and rending, yet melancholic, strings. An excellently placed song, which as an opening lures you into the album with its near post rock feel. Soon enough comes track number two, which has the same name as the release itself, carrying a sort of tribal-like atmosphere that features interesting drumming and lots of crackles and noise. "Made In" comes third, lashing out with provocative vocals and savage electronic sounds, in general being aggressively catchy and body moving. And later on during the album you are faced with a song like "Come", a really slow and easy going tune with extremely gentle electronic work. So as you can see, song construction and the very style of execution varies with each song. Each song manages to stand out from the rest and, although this seems like a neat feature of an experimental album, in the midst of that variety resides a tiny flaw in my mind when I think about this band.
My one and only complaint would be the vocals, since I found a certain dose of inconsistency in that field. The spectrum of sounds produced goes from singing, screaming, wailing, talking and even moaning, which I think somewhat shatters the overall feel of the album. When the instrumental section is so diverse, the vocals need to be a strong chord which will bind the band together otherwise you end up being all over the place. I can absolutely see the desire to introduce extreme amounts of variety on the album, but there is also a need to tie it all in a solid package. Sadly, it fell on the vocals to be the wrapping paper, since the album viciously opens in an instrumental manner. At times I got myself lost into thinking that I'm listening to more than one band, which again makes me think of the above mentioned soundtrack. That being said, my preference goes toward the more coarse and aggressive form of the singing and screaming as heard on certain instances in "Made In" or the more plain, megaphone imbued talking style from "Almighty". This is more of a personal opinion and I stick to my guns, but I assume that the vastness of sounds coming from the throat will definitely find its crowd. 

"Passion For Red" comes in either digital download or CD format, both available on the bandcamp page found here. The CD has the standard plastic packaging, but it features a really nice and thick booklet with lyrics and artwork. Each right page is filled with lyrics while the left pages are decorated with appropriate drawings corresponding with the words. There's definitely nothing nicer than opening an album and finding lyrics and other information inside, so many thumbs up for this.

Once again Slovenia managed to spew out something interesting on the scene. If we put the small album inconsistency aside, which isn't a true flaw at all, this is a really catchy release and definitely something with which you can take a break from your other daily bands. The band is still pretty much alive, so maybe soon we will be able to hear something new coming from their practice room. Hope you enjoyed the read.

Colossus Of Destiny - Eden (2011)

This review comes rather suddenly, since I really wanted to make another post before October ends. Somehow I always get angry at myself when I see a low post count for a given month. And, I have to admit, once I wrote the "Calf" review I realized how much I missed writing album reviews and discovering new bands in the process, so this also comes as something to satisfy my own inspired mood. 

Today I present to you "Colossus of Destiny", a three-piece progressive post metal outfit hailing from Paris. Born back in 2009, the French have started making music which soon formed into a self-titled, three song EP only one year later. Yet another 365 days later and coming out in February 2011 they come back bearing this album which is longer, more complex and further evolved. 

"Eden" opens up with an almost six minute blast coming in the form of the song called "Uncover the Cosmic Clue". I have to say that this was an excellent opener and it completely grasped my liking almost instantly. What you are faced with is a score of sounds influenced by bands such as "Elodea", "Kylesa" and "Baroness", yet utterly morphed and weaved into something that is purely "Colossus of Destiny". At first glance, the thing that really amazed me was the very massiveness of their sound, building up a gigantic wall of sound with only three humans holding their instruments.  

Once you look past the monstrosity which they unleashed, you realize how complex the sound actually is. Songs are fast paced and featuring so many ups and downs, interesting bridges, sudden swings in melody and unexpected instrumental sections. There is so much going on in a particular song, always with a constant, yet superbly flowing, rush and it all makes you feel like the songs are much longer than they are. By the time the second song, called "Eden", hits the speakers you pretty much don't know what to do, where to look or what keeps hitting you in the face repeatedly. The opening song was a climactic punch to the ears, but "Eden" continues to attack the senses with amazing guitar riffs, insane drumming and some truly powerful bass. When you go through the entire record you realize that there is no stopping with this band, every tone they make is one huge epic moment and the EP is an apocalyptic bomb sowing chaos everywhere.

Another wonderful thing about this band is the pace with which it grows on you. At first you just begin with liking their music, but by the end of the record you are completely in love with them. It is unbelievable how they keep getting more and more interesting as seconds pass by, so when the final tune echoes away and dies the listener is left with a mind blowing feeling of witnessing a mild breeze turn into a violent thunderstorm.

I've been introduced to this release by "Blue Wave Productions", if you remember the same promotion group from France which showed me "Battle of Memorial Britain", a review which you can read here. Additionally, this EP was supported and released by "Hellbound Records", a label that has two more bands under its wing and you can check them out on their facebook page here. "Eden" comes in CD format and in a plastic case featuring some minimalist, but quite peculiar artwork, as you can see on the front cover. The CD itself also has a really interesting swirl print, so overall the design is very appealing. 

In the end, this is one insane record and yet another astounding band in the already powerful French brigade. I've avoided detailed explanations of songs in this review simply because explaining everything would be impossible and talking about just one specific part seems so poor since there are millions of things exploding around. Just listen to them, trust me, you won't regret that decision in the slightest. And you can do so on their bandcamp page, found here. Currently, judging by the band's facebook page found here, the project grew in number and are now a quintet, adding a new vocalist and one more guitar player. They are writing new material for an upcoming full-length album and this is definitely something to be excited about. Keep them on the radar, I sense a storm coming.

Calf - A Constant Loss Departs from the Sentiment of the Abandoned (2011)

As promised, I am now back with writing release reviews, this one being the first one since May. Wow, that is a very long time indeed. Since then I got numerous physical review submissions, so at the moment I am trying to retrace the order I received them in and to post them in the respected manner.  Additionally, I have an inbox full of unanswered mails which I will begin to reply to as of now. My sincere apologies go to all the bands and labels that had to wait for so long, as you can see it wasn't a matter of the blog being dead or me being lazy, but much rather life has been turbulent and I had to do a lot of writing regarding things other than band reviews. Thank you all for the continued interest and patience, hopefully future content will be even more appealing for everyone.

Opening the band season will be a project bearing a rather pretty and simple name, "Calf". This quartet is nested in Athens, Greece, a place where they started making music in 2009. After taking some time with experimenting with sound and visiting various musical approaches, the band managed to release its debut musical outlet in the form of an album called "A Constant Loss Departs from the Sentiment of the Abandoned". Recorded in late 2011, their firstborn arrives bearing a truly vast array of sounds being weaved around a post rock backbone. Composed out of four lengthy tracks, accumulating to a grand forty minutes of music, the album goes through various different audio landscapes and moods, making you crave for another ride as soon as the first one finishes.
The most appealing feature of "Calf" is absolutely the diversity of sounds which they manage to present to the listener. Spending two years in incubation and taking the proper time to write a complex release definitely aided the band and they came out of the cocoon as a success. As you listen to this release, you are greeted with a score of variant tunes which range from being aggressively epic and fast to completely droning, depressive and melancholic. All presented atmospheres flow in an excellent manner, yet along the way they manage to morph into something completely unexpected.
The opening track is a superb example of what the band has to offer. "Dorian Grey Killed the Last Vestiges of his Consciousness", the first and shortest track of the album, begins with something that sounds like a phone call sample, quickly breaking into an epic, heavy post rock melody. As it carves a cold and somewhat desolate feeling in your head, the tune falls off into a trance-like state, slowly building up in intensity towards the end. "Ich Bebe", the second track in row, puts more of an accent on a brooding, slow melody which bears a more, dare I say, happy feeling at times. The band masterfully throws a lot of different elements into their songs and they come together in a perfect fashion. Either shapeshifting moods or changing tempos and types of song construction, "Calf" has numerous things to offer. It would definitely take me an insane amount of space to cover all their aspects through words, so listening to them is the only thing that can give proper homage to what they created.
The band uses audio samples at various points on the record, giving an overall eerie feeling to the entire release, this being a huge merit in my book. I really liked the fact that the record ends with a continuation of the sample which actually opened the album, giving a sort of cycling feeling to the entire project. Also, the overall quality of the sound is superbly clean and professional, which definitely gives you a chance to fully enjoy every piece of the "Calf" machinery.
Going a bit deeper into technical details of the release. The album comes in CD format, packed in a neatly designed stretch-out gatefold cardboard cover, released by "Noteale Records" which you can check out here. It was produced by Aris Christou, a rather known name in the Greek alternative rock scene due to his involvement with numerous projects such as "Bocomolech" and "Closer". Additionally, a short preview of the then yet to come album has been created, coming in the form of a one minute video which you can see here. The album itself can be downloaded here, courtesy of the band and the label.
Overall, this is a might fine release and I'm really happy that I got introduced to this band. A grand amount of potential is displayed on this album and I hope that the band sticks together for more future endeavors. I'd like to thank Chris from the band for his interest in the blog and for sending me their wonderful CD, along with a short letter containing a part of the guitar tabs for one of their songs! Hope you all enjoyed the review and that it inspired you enough to show "Calf" a lot of support, they surely deserve it.

Gig reviews: Nada Surf, Ezra Furman

I'm back home yet again and I have to say that I'm completely emotionally, and otherwise, exhausted. Departing from a loved one multiple times per year is neither pleasant nor healthy. It's going to be hard writing about this show now, since it was part of the birthday present I received from my girl so it is coming along with some nice personal memories which are, at the moment, making me utterly sad.

This exquisite concert was held last Friday, namely 19 October 2012, in "Tivoli Oudegracht", Utrecht, the Netherlands. The said venue is basically a sibling of "Tivoli De Helling", the place where I saw "Russian Circles" and "Deafheaven", which was covered in a review found here. Located some good fifteen minutes walk away from the city's train station, the venue is placed in a rather large street which you can't miss. Aside of the exterior which is nicely melded with the surrounding buildings, the interior of the venue is almost the same as seen in the previous show place. A spacious, dimly lit room with a bar and a big stage definitely reminded me of the sister-venue, later even surpassing its overall sound quality and proving to be a really great place to host a gig.

First to grant musical life to the big concert room that night was Ezra Furman, a singer/songwriter hailing from Chicago. Walking on stage wearing a dress and sunglasses, Ezra picked up his guitar and provided a nice half an hour performance. I have to say that the set didn't have my entirely devoted attention due to the fact that I was being flabbergasted by my woman next to me, guilty, and that I was utterly anxious and excited about seeing "Nada Surf" afterwards. Needless to say, tunes managed to pour into my ear and what I heard had its interesting moments. The guitar playing was truly awesome, clashing between gentle melodies and passionate violent outbursts. I wasn't really tuned into the singing, since at times it wasn't my cup of tea, but other moments it did grasp my liking. Lyrics seemed to touch a vast array of themes, from being funny and witty to provocative and aggressive, yet always remaining sincere and somehow fragile. Truth be told, I was never that much into singer/songwriters, so I presume that is why my attention wasn't that much focused. Still, I noticed a lot of people loving Ezra's performance live, so you should all definitely check his tunes out and support him, I'm sure you'll love his work.

After a tiny break it was time for "Nada Surf". Although there exists a long history behind that band name, I've initially heard about the project earlier this year thanks to my girlfriend. She had the privilege to grab their gig back in February when they also played in the Netherlands, so when I heard her impressions of the show, as well as reveling in their music almost nonstop at her place, I instantly fell for the band. What I found appealing the most about this alternative rock trio/quartet is the fact that they got thoroughly nested in my brain the very second I took a listen to their music. The love just kept growing on me over time, especially when you realize how well composed their songs are and how many superb, as well as unique, melodies they can carry. Normally, all that love made me harbor huge expectations for the upcoming show and it was no surprise that the band completely lived up to its name and blew my mind away. The red ribbon was cut with one of my favorite songs, "Clear Eye Clouded Mind" and it made my jaw roll around the floor. The track was executed so perfectly and with such amazing energy, showing the crowd that we are in for a thrilling ride. "Do It Again" and "Weightless" followed soon, continuing in a marvelous manner. It was wonderful seeing the band members smiling and just radiating with positiveness along with the excellent sound they made. There was a lot of movement on stage, the members even performing a brief dance at one point. Later during the set "Killian's Red" was also performed and this tune definitely seems like the band's masterpiece when witnessed live. On recordings the song is impacting and powerful in its own right, but in concert it was simply overwhelming. During this piece everyone could realize how well-crafted their music is, with multiple moods entwining in a single track and rushing with a remarkable flow. "Whose Authority", "Jules and Jim", "When I Was Young" and "Teenage Dreams" were just some of the songs which were also played, crafting an amazing lengthy performance. For the entirety of the set I was amazed at the quality and clearness of the sound, the venue definitely grasping my liking. There are several videos of the performance online, so check them out and you can be the judge for yourself when it comes to the breathtaking sound. Sadly, in the end, we had to miss the last song because of our train, which we caught in the last possible second, but leaving to the sound of "Blankest Year" was equally enjoyable and nice.

All in all, this was a spectacular evening on so many levels. I hope you can excuse me for the rather short or incoherent review, I simply have too much personal emotions flooding my mind and it's really hard to write it all down right now. I'd like to thank the bands for playing and providing the crowd with an amazing evening and, of course, I have to thank my wonderful girl for taking me out and making me abnormally happy, as always.
On a small side note, as I mentioned in the previous reviews, this is the last gig I will be attending in a while, so there will be some interviews and album release reviews coming up next. Hope you enjoyed the show review season on the blog, stay tuned!