Coma Stereo - 1000 Mest (2012)

http://kaparecords.bandcamp.com/album/1000-mest

I have no idea what is the weather situation in the place where my readers live, but here it is so hot all of a sudden that I can barely think straight. Pity for all of those who have to go out today, so instead  that I recommend that you check out this review and hopefully you decide to enjoy a ride to the far corners of the galaxy with this band, definitely colder there than here.

Once again we meet with "Kapa Records", a label from Slovenia which was already indirectly mentioned on this blog. Namely, this record label has previously released "The Canyon Observer" album which was reviewed in November last year. In case you missed that write-up you can check it out here. What we have here in front of us now is the newest material coming from the four piece space rock band named "Coma Stereo". Yet another project coming from Slovenia, though this one has a fair bit of history behind it. The guys started playing way back in 2004 and, counting "1000 Mest", this is their third album. I have been really surprised by this band when the promoter contacted me about a review, mostly because they already have eight years behind them and I wasn't aware of their existence and then being surprised even further once I heard how amazing this band is. The band also has a really great number of shows in its resume, so how they eluded me is beyond my comprehension.

"1000 Mest" came out on February 18 this year in vinyl and download format. Andraž, promoter at "Kapa Records", was kind enough to send me the actual record copy of this album even before the material was released and I really have to apologize for my slow response, since I obviously took my time a bit too long. When he mentioned this project to me I immediately took a listen and was very much intrigued by what I heard. This release brings us ten songs and from start to finish it's just plain enjoyment and a really great ride. The opening track called "Črna jutra" manages to set your mood perfectly and opens the door to a superb space rock jam. "Coma Stereo" makes good use of electronic sound effects for that mood-setting, swinging between being eerie and grim to something highly epic and wonderful. While listening to this record, most of my time was spent analyzing the synthesizer sections which, although seeming same in tone, have a nice array of diversity in sound, ranging from sounding like heavy industrial machinery to tunes reminding me of old Nintendo or arcade games. The song composition also has a sort of duality, some parts are really cheery while others sound like there is nothing but dread and despair around the listener. There is one thing that I really have to praise about song structure and that is the band's ability to make a superb use of buildups. All songs have something that sounds like there is some growth in sound, either in the form of the pace being increased or slight changes of mood or even the very melodies becoming more and more complex each second. This is really hard to explain properly, but I presume that you will figure out what I wanted to say when you take a listen. Personally, this album made me sit on the edge of my chair nonstop and sensing that tension in music was excellent.

An interesting feature of "1000 Mest" is also the fact that there is a nice number of both instrumental tracks and those with vocals. It is worth noting that the songs, in general, have quite a deep tone with bass playing being in the spotlight a lot and everything has a sort of crackly, crude sound. In contrast to that, the vocal adds a completely new layer to a particular song since it is very gentle, melodic and almost sounding as if the singer is weeping. This really makes the entire album quite intriguing and you can listen to it multiple times in a row and continually discover new aspects of it.

As I said before, this band and this release in particular came to me as a huge surprise and I am extremely happy that I discovered their work. I am yet to take a listen to their work prior to "1000 Mest", but I am certain that talent and creativity is not lacking on those. As much as I saw on the band's website, located here, they have a couple of shows lined up and they are pretty much alive. Once again I would like to thank Andraž for both introducing me to "Coma Stereo" and for having loads of patience for me to finish this review. Definitely check out the page of "Kapa Records" found here, this is a label supporting some excellent projects. Hope you liked the review and enjoy the tunes!

"Vultures Become Eagles" Euro Tour 2012

Cool news coming from a couple of friends of mine who happen to play in the bands which will tour! Two bands from the Balkans will join forces and storm over Europe this September, those two being "Expectations" from Bulgaria and a new, up and coming band project from Serbia called "Eaglehaslanded". The tour plan looks something like this:

Sept. 4 - Sofia, Bulgaria

Sept. 5 - Brasov, Romania

Sept. 6 - Cluj-Napoca, Romania

Sept. 7 - Budapest, Hungary - TBC

Sept. 8 - Krakow/Katowice, Poland - TBC

Sept. 9 - Warsaw/Area, Poland - TBC

Sept. 10 - Wroclaw/Area, Poland - TBC

Sept. 11 - Prague, Czech - TBC

Sept. 12 - Vienna, Austria - NEED HELP !!!

Sept. 13 - Bratislava, Slovakia or Brno, Czech - NEED HELP !!!

Sept. 14 - Pecs, Hungary

Sept. 15 - Novi Sad, Serbia - TBC

In addition to these dates, the bands have expressed their wishes for promoters to get in touch, in case there is a wish for a show which is outside of these areas. Get in touch, either in the comment section bellow, or on the following facebook page found here.

My readers have already heard about "Expectations" in one of my show reviews and in a couple of days I will be posting a write-up about their newly released recordings, just as soon as I post some way overdue reviews first. Until then, check them out on their bandcamp page here.

"Eaglehaslanded" is still a really young band playing neocrust and is currently recording an album, this tour being a way to promote their work. You can check them out on their facebook page here.

Todos Caerán - Euro Summer Tour 2012

Very happy and excited to announce the tour of "Todos Caerán", a band I'm quite fond of due to the fact that they are one of the bands which were present at the early stages of this blog. This hard working screamo quintet from Edmonton, Alberta, Canada, plans to hit the road and conquer Europe this June, but they still need some help! Here is their tour plan:

1.6. – Nijmegen, NL @ De Onderbroek
2.6. – Lübeck, DE @ VeB Lübeck
3.6. – HELP – Berlin?
4.6. – HELP – Prague?
5.6. – HELP – Vienna?
6.6. – Eger, HU @ Venue TBA
7.6. – Novi Sad, RS @ Venue TBA
8.6. – Banja Luka, BA @ Venue TBA
9.6. – Zagreb, HR @ Venue TBA
10.6. – HELP – Ljubljana/Graz/Salzburg?
11.6. – HELP – Munich/Ulm/Stuttgart?
12.6. – Oetinger Villa, Darmstadt DE
13.6. – Köln, DE @ Venue TBA

Also planned are several dates in the UK, but those are already fixed and will be announced soon. If you think you can help them out with any of the above posted dates get in touch by leaving a comment here or through the band's facebook profile found here. You can also send them an e-mail via the following address:
jternovo AT gmail DOT com
In case you are not familiar with "Todos Caerán", you can check out the reviews I wrote about them, one for their EP found here and one about their 10'' split with "Bears" found here. Don't miss out on this cool band and see you on the road!

Gig review: Russian Circles, Deafheaven

When I first heard about this tour I was completely mind blown by the lineup and I was hoping that I can catch a show. As it turned out, my visit to the Netherlands was not well adjusted and there was no way for me to grab the performance. Yet, by some extremely unexpected and lucky circumstances, my stay was prolonged and one more amazing gig has been added to my seen live list. 

The show occurred a few days ago, namely on 21 April 2012, in a venue called "Tivoli De Helling" located in Utrecht, the fourth largest city in the Netherlands. Generally speaking, this venue reminded me of "Doornroosje" in Nijmegen, the place where the "Kylesa" show was held in February and about which you can read in my gig review here. Unlike "Sleeping Beauty", "Tivoli De Helling" has a really minimalist exterior and is basically just a big, dark, neat building with not much outside decoration. There is a wide entry door at the front and a small ticket window on its right side, numerous windows on the upper floor and that is pretty much all that grabs your eyesight while you are walking toward the place. The interior remains somewhat dark as well, but at the same time it is very lively. First thing that you notice is a nice bar just across the room and several small tables for enjoying your drinks.  On the left side of the place there is a secluded smoking room, while on the right there is a big drop counter for leaving jackets and bags. Also, near the very entrance, a small band merch table is located, the place where my better half and me fell to the temptation of buying the amazing silk-screened tour poster. Soon upon arriving we moved to the actual show space to which you enter through a double door near the smoking room. The gig room is the thing that really reminded me of "Doornroosje", as far as both the design and the technical features go. A wide, spacey location capable of supporting a great number of attendants, decorated with dim light, occasional clouds of smoke and a big stage that dominates the sight. As you will realize by the end of this review, the sound capabilities were very powerful and satisfying as well.
Doors of the venue opened at 7:30 PM, the show being scheduled to start at 8:15 PM. A short delay followed, but soon enough "Deafheaven" took the stage and kicked off the night. Seeing the band in February this year absolutely blew my mind away and left me stunned, so I was really looking forward to checking them out a second time and compare the two performances. In case you missed my review of their show in Amsterdam you can check it out here. By now all of my readers know how big my infatuation for this band is and I presume that this black metal band already crawled into the hearts of many who visit the blog. Ever since their first recordings surfaced on the light of day they have just kept grabbing more and more of my liking, this show being yet another step down that same path. Much like as on their previous gig which I attended, songs from "Roads to Judah" were played and this time we heard the album in its entirety, all four songs wrapped into a magnificent 45 minute performance. Already the beginning of "Violet" signaled that the sound will definitely not disappoint and in fact it managed to grow stronger. I was standing there in front of the stage in awe as wave after wave of the audio ocean kept hitting the senses nonstop, the very floor trembling under the onslaught of "Deafheaven". Movement on stage was also quite lively, with one of the guitarists constantly swinging himself as he played and, of course, the dancing of the singer did not go unnoticed. I have to admit though, that his act wasn't as nearly as provocative and taunting as in Amsterdam, which I presume is much more appealing for the majority of the crowd. Yet, as before, he managed to spice up the whole spectacle with his body movement. At this point I will stop with giving compliments to "Deafheaven", simply because I would end up repeating my words from the other review. The only bad thing that occurred on this particular show was the extremely low volume of the vocal... or well, the high volume of the instruments. The vocal was barely noticeable, despite Clarke screaming his lungs out and putting maximum effort. The only instances where he could be properly heard were moments when the guitar playing would be toned down a bit, like in some instances in "Unrequited". I have no idea whether the band noticed this imbalance of sound, but it definitely made their performance lower in intensity. Overall, their act was impressive, but I think it would be on a much better scale if the vocals were in proper order, possibly overshadowing the previous show I saw. Either way, this flaw wasn't actually their fault, so I am still pretty much far from even considering being disappointed.

About twenty or so minutes after "Deafheaven" went off stage, "Russian Circles" began. What is there to say about this brilliant post rock/post metal trio? If you haven't heard about them yet, you were probably living under a stone for the past eight years. In the said period, the band has kept lashing out astounding releases, constantly growing and expanding their sound, being stronger and more impressive every step of the way. I have been in love with their music ever since "Enter" came out back in 2006 and now it was finally time to witness them live. Prior to the show I was told that they were amazing in concert and during this show those claims came to be utterly true. The unstoppable force created by these three men on stage broke loose with the tones of the song "Carpe" and from that point on I was completely amazed, watching and listening for the next hour totally stunned. It was absolutely amazing to witness the gigantic wall of sound created by only three band members. Everything was shaking with intensity, then in another moment gentle melodies make the audience relax a bit only to be smashed again by an audio explosion. If one would just listen to their performance with closed eyes, the band would definitely be mistaken for an entire orchestra. The first song continued into "Harper Lewis", later followed by songs such as "309", "Youngblood" and "Death Rides A Horse". There was a perfect mixture of older songs and the tracks from their latest album "Empros", so I really feel like they managed to satisfy everyone who attended. Each song was performed in a perfect manner, sounding literally as on the recordings with the great clash of calm and aggressive for which they are famous for. With the addition of the above mentioned monstrously epic sound they really managed to create an impressive audio landscape and absolutely impress.
It is really tough to make a closing word for this concert. Maybe it is because this year has been extremely fruitful for me, as far as seeing amazing shows goes, so I always end up being mind blown. Either way, the night on April 21 will definitely be in the basket for running toward the best show of 2012. I sincerely hope that I will have a chance to see these bands again, despite seeing one of them twice already, and that they don't stop doing what they do for a very, very long time.

Reservoir

http://www.reachthetracks.bandcamp.com/

Wow, almost an entire month without a single update. Most of you probably think that both me and this blog are dead, but rest assured that it is not the case. Still pretty much alive, but without a lot of time to write and in fact this month I have been lacking hours spent on the internet in general. Starting somewhere next week you can count on more regular updates in the future due to my wish to try and be as creative as possible.

"Reservoir" is a four piece project hailing from Pennsylvania formed in late 2010. Ever since then the band has been playing some exquisite post-hardcore/emo music which is, thus far, packed into a demo, one seven inch release and a stand alone track. In short, if you are a fan of acts such as "Small Brown Bike", "Mineral", "Sunny Day Real Estate" or "Braid" then this band is worth your time. A while ago, I have been contacted by Justin from the band in hopes of me doing a review of their latest release and he was kind enough to also send me their demo recordings. It took me quite a lot of time to get to write about "Reservoir", for which I am sorry, but needless to say I fell in love with their music instantly and all of their output deserves to be talked about.

The demo saw the light of day in early 2011, namely second February is the official date of release. Twelve minutes of music are sculpted into four songs which really grow up to the older bands already mentioned above. The intro song called "Still" takes you on a one-breath ride and there is seriously no place to push pause or stop until the entire demo is over. All tracks are constantly flowing on fast pace with a lot of twists and turns along the way, being in the form of various bridges, slight tune drops and buildups of intensity. The diversity of sound was really interesting to behold, since there is always something unexpected going on. Repetitive song sections are minimal or almost nonexistent, which makes you just sit, absorb and analyze their sound. I particularly enjoyed the vocals on this release, since you get to hear a crude, raspy throat being intersected with a more clear, gentler voice, with various changes as far as dominance goes and multiple spots with pack singing/screaming. The same goes for instruments, since most of the times everything is just perfectly melded together and then you get to hear a certain band member being pushed up front under the spotlight for a few seconds. Melodies seem to be connected well and extremely precise, in my ears sometimes grabbing a few attributes from certain mathy genres.

"Forgetting and Trusting" is a song that came out in July 2011 and it represents a great transition and bridge between the demo and the band's latest release. As with all young bands it is really obvious to expect some kind of change in sound and this song is a good example of evolution. At first glance, the song is longer than previous output of the band and, once it starts, changes are apparent. Here the band experimented a lot when it comes to various paces of their tunes, which resulted in a much slower track. It floats from slow to medium tempo, with the sound itself also swinging between quiet and calm to occasionally bursting with volume and reaching toward fast pace. Overall, it is an interesting song, definitely paving the way toward the new material. "Into Endings" is the most recent creation of the band, coming out on 21 October 2011 as a 7'' release by "Upside Down Records". The three songs which are present on the record seem like the most solid form of output the band came to write, taking the best from their demo and just further bettering it. Once again, songs are really fast and this flow is the dominant one for the ten minutes featured on this seven inch. The very sound quality of the recordings has dramatically changed for the better and witnessing the already mentioned complexity and precision in songs is much more enjoyable now. Melodies remained raw and truly heartfelt, at times reminding me of a mix between "Merchant Ships" and "Title Fight". Bet you didn't see that one coming. Either way, the band really took a huge step forward and the transition is amazing.

Currently, "Reservoir" has a couple of gigs lined up, but as far as new material goes I have no idea what they are up to. All of you who have a facebook account can follow them on their page here and you can also visit the website of "Upside Down Records", found here. I sincerely hope that this band stays together and that they continue writing music, since they are all extremely talented. Definitely check them out, you'll love them for sure!

Interview:God Is An Astronaut

Here it is, the promised and awaited interview I did with the famous Irish quartet called "God Is An Astronaut". As I previously noted in the concert review I wrote, it was scheduled for me to do a live interview with the band, but due to some technical difficulty it had to be postponed and done via e-mail. Either way, I am extremely glad I had the chance to ask the guys some questions, so hope you enjoy the read!

1. First of all, I would like to thank you so much for taking the time for this interview with "Natures With No Plagues". Last night was the first time you were in Serbia as a band, so I am very tempted to ask about your impressions concerning the show.

The show was awesome, it was nice to see all the fans so passionate and giving so much energy back to us, we felt very welcome.

2. This tour is a celebration of your ten year anniversary. What are your thoughts about the tour up until this point?

The tour went very well, the attendances and crowd reactions have been stellar and that is why we chose Eastern Europe to kick off our 10 year Anniversary touring schedule.

3. Turning back and looking at the past, how do you feel about the growth and the evolution of the project? Do you enjoy the band today as much as you did at its birth?

Of course, the ethos still remains the same, to write and release music we love without compromise.

We have been very lucky as we did it genuinely our way, it is an extra bonus that so many people around the world can share in our music.

4. It is a well known fact that your name hails from Clive Barker's "Nightbreed". Were there any other potential names which you were thinking about or was it an instant moment decision? Also, did you find any particular deeper meaning behind this moniker or was it taken just for the coolness factor?

Well there is no religious aspect as some people suggest, we just liked the name and it felt right to make the music we wanted under it. I guess it being both ancient and modern was another factor.

5. The first steps of the band were taken under your own record label, "Revive Records". What sparked this decision?

With the first album there was no interest from record labels etc... so we decided to release it on our own label more or less as a farewell to the music industry. We wanted to release something we genuinely liked and finish on something that we could be proud of. Who knew 10 years later we would be still here and be known all over the world.

6. Thinking about that time, how do you feel about do-it-yourself ethics? Were there any particular merits or flaws which you felt on your own skin due to working under such terms?

I wouldn't change anything, we have direct control over all aspects of the music, artwork etc... Also there is no middle man and we get all of the earnings directly which is the only way to survive these days.

7. Knowledge about your music was, at first, transfered through blog interviews and reviews, so I am interested to ask about your thoughts concerning music and the internet. Do you still browse any particular blogs or websites and do you still appreciate when your name is mentioned? Do you think that things like that still aid the band?

Sure the internet has been the main platform for us, in many ways it has levelled the playing field in regard to the major record companies hold on the industry. We are still an internet band and are of course appreciative of being mentioned on blogs etc... The only downside is that we often don't make money directly from our music, for example in Serbia we have sold no CDs or Mp3s legally or very little, so to take advantage we have to tour, sell our merchandise directly to the fans, I think this is the model of the future.

8. At a certain point, you started collaborating with other record labels for your releases. Was it a tough decision or a natural evolution of the project?

We have licensed our albums to a few record companies at the start mainly for distribution reasons, it was not a collaboration in the true sense.

9. Please explain to the readers the actual music writing process. When you sit down to write an album, do you determine a specific mood of the entire release or do you create seperate songs and then try to fuse them together?

All the songs are written in the studio and built up over periods of weeks and months, this stems from our Dance/electronic background where it was commonplace to produce your own records. All the songs start from a strong melody or chord progression, the melody and mood are paramount in the process.

10. Tell me more about the visual aspect of the band. Do you consider it to be a medium for transfering a more direct message to the audience, due to the lack of vocals? Also, maybe a silly question, but what inspires you the most when you create the videos?

The visuals are there to set the mood in the venue and enhance the overall experience of the show. They are not there for any other reason.

11. Two silly questions coming up. Despite having an extensive number of live shows behind you, do you still have stage fright?

We never really had any stage fright, we have been doing this since the early 90's.

12. If you were just a fan of "God Is An Astronaut", what would be your favorite release?

I guess for me it is "A Moment of Stillness", I just like the ambient nature of the album.

13. I am always intrigued by what my interlocutors listen to in their free time. Do you have any favored releases or bands, both all time and current ones?

Not really, I haven't been listening to anything specifically but we have been listening to a lot of Alice in Chains in the tour van for some reason.

14. There is news circling the internet that you are working on a new album, a release quite different from what you created thus far. Are you willing to share more information about the progress at this point?

Yes so far it will be much more experimental but much more commercial at the same time. There will also be a focus on more vocals, even with some lyrics but not in a lead singer style format.

15. What else does the future hold for this project? Will Serbia ever see you again?

Of course we will be back, most likely 2014 with the new album tour.

16. Once again, thank you very much for this interview and hopefully next time we get to talk in person. Any final message to the readers?

Thank you! to all our Serbian fans and making us feel so welcome, we will be back again!

Cara Neir - Stagnant Perceptions (2011)

http://caraneir.bandcamp.com/

The last review was definitely a wake up call, since I felt really good for finally posting something here. Also, the submission stack keeps piling up and growing, a fact which I am really thankful for, so I am really eager to spread the word about all you girls and boys who keep sending me material, despite the blog moving at the slowest pace thus far. I have the best readers and I love you all.

I have already seen this band on several other websites and blogs, so this might come as old news to some of you. In case you are unfamiliar, "Cara Neir" is a two-man project coming from Dallas, Texas, formed way back in 2008. Garry and Chris started writing the music for this particular release in early 2010, namely March, and slowly progressed to the completion of the album which came in July 2011. "Stagnant Perceptions" officially came out on November 11 2011 and it was self-released by the band. 

For a duo, these guys managed to unleash a really vicious monster onto our senses. This eleven track critter comes roaring with sounds of black metal and crust, with some splashes of hardcore and post rockish screamo. From start to finish, throughout all 45 minutes of music, it is constant mayhem, chaos, extremely fast playing and just an overtly rushing sound, paused only by a minimal addition of slower grim intersections which give a brief atmospheric feel to everything. Truth be told, "Natures With No Plagues" is not a blog famous for its black metal reviews and I am quite young, so to speak, when it comes to the genre, so my knowledge of this particular field might not come as well suited. But on a personal note, as everything on this blog actually is, the thing that really managed to set "Cara Neir" apart from other similar bands is cleanness of the recordings and the overall high production of the release. Usually there is a dose of crunchiness, crackling and general dirtiness of black metal/crust bands, yet here everything is really clean and precise. Don't get me wrong, I loved this kind of "approach" very much, considering it a total merit and bravo-ing the band, but I presume that a lot of listeners of this genre might be repulsed by this. But, to not stray away into discussing tastes and a definition of being true or whatever, I'll continue with my own thoughts. This type of production really aided the band, specifically because their style of song composition is quite interesting and deserves to be heard in such a fashion. There are certain riffs and melody shifts which are somehow so precise and complex that they border on being called technical or even adding a certain "math" tag on their list of genres. As a whole, the songs are melded together really well and your entire experience with this release comes in a single breath. Literally every time I was listening to "Stagnant Perceptions" it seemed as if it was just one song and, for a 45 minute release, this is quite intriguing. Also, it is really cool to note that all those genres do get their time under the spotlight and, despite the melding of tracks mentioned above, songs have attributes which set them apart from one another. This might be due to a number of songs which feature guest appearances, so you get to hear backing vocals from Rachel in tracks 1, 4, 5, 8 and 11, as well as those from Dorian on songs 3, 4 and 5. He also contributes with guitar playing in songs "Dethroned and Leprous" and "The Bridge of Despise". There is just a ton of things going on in all eleven songs and I really consider it to be foolish to try and describe their flow. It is just a release which you definitely have to check out for yourselves to get a proper opinion. I, for one, loved everything I heard.

The above posted bandcamp link provides a download link for "Stagnant Perceptions" and you can also buy their cd, which is by the way limited to 50 copies. I don't know what is currently going on with the band, but for all of you who have a facebook page, check them out on theirs and find out, located here. All in all, definitely check them out, I promise you will enjoy their music!

¡Silencio, Ahora, Silencio! & Descubriendo A Mr. Mime - Split (2011)

http://silencioahorasilencio.bandcamp.com/

http://descubriendoamrmime.bandcamp.com/

I woke up this morning, which is like 10 minutes ago, and immediately jumped toward my computer with a goal to start writing this review. It is sad to say this to my readers, but your host is still leading a very much not envious life and it is seriously sabotaging me from doing loads of things. I have been putting efforts and the majority of my energy into some things so that my situation can get better, in turn leaving me with not so much inspiration for writing. Needless to say, it really pains me to see this blog  dead, so this morning and this review are definitely a wake up call!

This seven inch split is pretty much old news by now and I presume that most of you already know about both these bands and their mutual collaboration present here. I have to admit that I delayed listening to this release quite a lot due to some unknown reasons even to me. Luckily, good internet friend Luisan, who happens to be a member of "¡Silencio, Ahora, Silencio!" and an awesome dude interested in "Natures With No Plagues", was kind enough to send me the split for reviewing and pretty much pushed me into listening. The nudge was quite welcome, since I seriously fell in love with both bands almost instantly.

"¡Silencio, Ahora, Silencio!", translated into "Silence, Now, Silence!", is a quartet project hailing from Madrid, Spain. These four guys push forward into our ears some genuine screamo, bearing that amazing 90's and early 2000's feel, which is really admirable since it is quite difficult to stumble upon such bands nowadays. The four songs on this record managed to strike a particular nostalgic chord in me, reminding me of bands such as "La Quiete", some early "Raein" and most notably of several Australian acts like "Eucalypt", for example. Also, as the band alone stated once, one of their influences was a local band, the well known chaotic screamo "Enoch Ardon". What you can realize on this record, is that the band took all these inspirations and influences and mixed up a unique sound of their own, standing on the verge of chaotic and gentle, extremely fast and sluggish. The four tracks themselves are a progress from rushing riffs and spasm-like melodies toward a really slow and dragging end. My favorite track is definitely the opening one, named "Eso Que No Hay Será Si Nosotros Lo Hacemos Ser ", which just instantly throws you on a roller coaster. Fast tempo, rending riffs, splashed with calming intersections leading into more explosive outbursts of sound and ending in a calm, serene drifting away. Simply put, a great composition and pretty much the main trigger of the already mentioned nostalgic mood I had while listening. Not to relax you and just putting you on a chair with needles, the second song comes as a 33 second little menace bearing chaos. First half of the song you listen to the calmness which oozed from the first song and then it just snaps and pounds you with chaotic melodies, comparable to numerous German screamo bands. The following song, "...Y cuando crees saberlo todo AKA Maletín", continues in the same fashion bearing chaos, although with a repetitive melody, which also extends to the last song. As I said earlier, their side of the split is a progress to a slower ending, so the final tunes you get to hear are really slow when compared to the opening and overall that gives a nice touch to the recording as a whole.

Moving along to side B of the split and meeting "Descubriendo a Mr​.​Mime", or in other words "Finding Mr. Mime", yet another Spanish band. If my researching skills are still working well, this is a quintet we are talking about, if not, my apologies. In any case, much like their split partners, this band makes me extremely proud and happy for having this record in my collection. What we get to hear on this side is also 90's/early 2000's screamo, though a much darker and grimmer edition, standing close to bands like "Das Plague", "Ekkaia" from their screamo period, at times also reminding me of "Optimus Prime" and, again, "Enoch Ardon". So as you can see by the comparisons, quite depressive influences, but the amazing thing is that this band manages to use that inspiration extremely well when it comes to creating their own tunes. Their songs are somewhat dual, in terms of having a relatively equal amount of slower, mood setting sections and those more aggressive, chaotic fits. What I really enjoyed are those former parts which are quite atmospheric and they succeed in creating a specific feeling in the listener. The violent parts are definitely not lacking, since those instances lash out at you like a thunderstorm. A perfect example is the opening song "Leibniz", which has a superb bass line as a centerpiece, a composition style which you don't see quite often. There is this perfect melancholic sensation just thrown at you and then you are washed by a wall of rending riffs and explosions near the end. Although short, only one minute and eleven seconds, this song manages to really hit you hard and immediately cast you into what this band is about. The above mentioned duality is present on all songs, but it is interesting to hear their entire side of the split, simply because they keep expanding . Opposed to the one minute first song, the last third song is a four minute piece and a really epic ending.

In the end, some technical details about this release. 250 copies on transparent red vinyl have been pressed, as a collaboration between three labels, those being "Dog Knights Production", "Bear Records" and "Ghosts and Demons", all of which you can find here, here and here. Each label and band grabbed 50 copies, so you can also get in touch with the bands if you desire a copy.

All in all, I'd like to thank Luisan again for sending me a copy of the split, accompanied by an amazing "Magic:the Gathering" card, and for basically introducing me to these two excellent bands. Both projects are still young, but there is an enormous amount of potential here and I can only hope that they will continue to make music. Their bandcamp pages feature some more of their material, aside of this split, so be sure to check them out, I guarantee you will enjoy!

Gig review: God Is An Astronaut

This review comes with a delay of one entire day, simply because I seriously needed to recollect my thoughts about the event and manage to complete the puzzle which I am about to write down. Judging by this type of intro, you might as well presume that the concert was absolutely spectacular in all aspects imaginable.

As you can see on the poster, the show transpired last Saturday on 10 May 2012. Initially the concert was scheduled to happen in one other venue which had quite a limited number of tickets, which I actually failed to grab for myself. Here I definitely have to give a certain amount of praise to the organizer of the event, called "Resetor booking & promotions", for several reasons. A high number of people were left without a ticket and many others suggested a change of venue, complaints and suggestions to which the organizer reacted rather quick and in a small amount of time, just days before the gig, a new concert place was found and the number of possible attendants drastically expanded. I myself am really pleased with this type of dedication and commitment, especially considering the possible stress they might have faced with changing plans moments before the show. On a side note, the organizer was kind enough to allow me press access to the concert and even managing to arrange for me to do an interview with the band. Sadly, due to some technical difficulty the interview will actually be happening through e-mail, so expect that some time in the future, since the questions have already been sent. All in all, this is an excellent booking collective, one that will find it's place amid the "Friends and Partners" page on this blog. I plan on making a page specifically for bookers and organizations in Serbia, but I'm yet to put that plan into action.

So, as I already wrote in the gig announcement post, the show was held in "SKC NBG" (Student Cultural Center New Belgrade). A fun fact about this venue is that it is actually a part of the complex where the collage which I am attending is located. Despite the fact that I know of the said "venue" (since, in fact, this is not a real venue to begin with), I have never attended the place. As far as I know, numerous student parties were held there, which I masterfully avoided every single time. Truth be told, I had sincere doubts about this gig since I really didn't believe in the technical capabilities of the place, but in the end I couldn't be more wrong. There was room enough to fit a really big stage, a neat place for a merch desk located on top of a wide staircase and the gig space was actually huge enough to support the large number of people without everyone being cramped together and pushing each other. The already mentioned staircase also proved to be a good place for people to stand on and enjoy the entirety of the stage, so overall this proved to be an excellent venue, especially for a post rock concert.

After a small delay and the excitement and anxiety boiling in the crowd, the show started a bit past 10:30 PM, if I remember well. Amid clapping, screaming and cheering, "God Is an Astronaut" climbed the stage and with the sounds of "When Everything Dies" the band paved the way toward a purely perfect performance. As the song rang across the venue, the wall behind the band came to life with video effects for which the Irish quartet is well known for, masterfully setting an appropriate mood and emotion for the audience. Watching some historic moments, like the explosion of the first atomic bomb and the self-immolation of the Vietnamese Buddhist monk, scenes from old movies like "Godzilla" and "Nosferatu", sequences of violence and war and an omnipresent voyage through space with planetary visage, all accompanied by the loud, impacting sounds of the band came out nothing short of entirely artistic and breathtaking. Personally, I was really excited to witness the much talked about video aspect of "God Is An Astronaut" and I must say that they really hit the spot and meld quite well with their music. They make you think and ponder, without actually drifting away and forgetting that you are on a concert. Seeing all that aggression and destruction, flames and death, makes you realize how small and stupid we humans are, that all this torment we throw at each other is nothing more than self-annihilation and that it is absolutely insignificant in the vast cosmos of which we are but a small speckle. To be completely honest, these moments created numerous waves of chill and shivering throughout my body, making this show into something I will never forget. Also accompanying the video was an interesting manipulation of light, which further extended and solidified the atmosphere. The sound was fantastic, the venue being able to fully cooperate with the band and create a clear and strong audio spectacle. Once the opening song was over, it melded into "Fragile", later continuing with "From Dust To The Beyond", "Age of the Fifth Sun", "Echoes" and so on. I was very impressed with how certain songs sounded much more moving and quite faster than on recordings, such as "Zodiac" and "Route 666", leaving an extremely strong impression on me. The band kept building a massive wall of sound, constantly growing with intensity and literally flooding the crowd entirely. Similarly, the audience was quite responsive and alive which really surprised me, so there was nonstop movement, dancing and omnipresent cheering. If you ever thought that you can't really dance to post rock, this gig would be able to prove you wrong. Band members themselves were quite alive on stage, their motions reflecting the music nicely, while the time between songs was used to address the crowd and in the end one picture of the audience was also captured, a really cool tradition of "God Is An Astronaut". Overall, a wonderful atmosphere was created, lasting for thirteen tracks and further extended with an encore featuring "All Is Violent, All Is Bright" and "Fireflies And Empty Skies".

What more to say in the end? This was an absolute pleasure to experience and a true honor to be able to celebrate the ten year existence of such an amazing project in this fashion. It was great to see the band members leaving the stage pleased and hopefully we left them with some nice memories. We were promised another show in the future, so until then I plan to enjoy their recordings under a new light and with more infatuation than before due to the truly big imprint which they left on my mind. Thank you and hope you enjoyed the review!

Gig announcement: God Is An Astronaut

This brief gig announcement came rather unexpected due to the fact that I thought I won't be going to the event. Initially the show was planned for a small venue which managed to get sold out rather fast and I failed to pick up a ticket. Luckily the show was moved to a bigger concert location today, thus I will have the pleasure to attend and additionally this event promotion is for all of you who don't have a ticket yet.

In any case, the famous post rock quartet going under the name of "God Is An Astronaut" will play in Belgrade this Saturday on March 10 2012, as a part of their ten year anniversary European tour. The show  is made possible thanks to "Resetor booking & promotions" and will take place in "SKC NBG" (Student Cultural Center New Belgrade). For those who do not know the location of the venue, the address is Bulevar Zorana Djindjica 152a. The fastest way of grabbing a ticket is via the following e-mail address:
kartegiaa AT gmail DOT com

Additionally, on the night of the concert, visitors will be able to buy tickets for the upcoming gig of yet another post rock act known as "Maybeshewill", which will be held on May 9.
Stay tuned for a gig review of this concert. See you there!